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TORN THREAD

Name: TORN THREAD
Author: Ann Isaacs
ISBN: 0-590-60363-9

by Ann Isaacs ‧ RELEASE DATE: April 1, 2000

Holocaust. (Fiction 10-14)

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In 1943, motherless 12-year-old Eva, her sickly older sister Rachel, and their Papa are forced by the Germans, who have

occupied their Polish town, Bezdin, to live in the Jewish ghetto. Papa knows their lives are in danger and worries what will happen to his girls if he is killed or sent to a death camp. Then one day, as Rachel is walking to their aunt’s apartment for a visit, the soldiers raid the ghetto and carry her off. Weeks pass, and Papa finally hears that she is alive in a labor camp in Czechoslovakia. Since conditions in the ghetto worsen daily and the raids increase in frequency, Papa begs the Nazi official for whom he works to send Eva to join Rachel in Parschnitz; miraculously, his request is granted. At the camp, conditions are terrible—there is little water and practically no food, and the inmates are forced to work 18 hours a day at jobs that are not only difficult but extremely dangerous. Eva, for example, works on spinning machines, where she must keep lint from clogging the machinery by reaching into the moving mechanism. The girls grow weaker by the day, and their worries are compounded by two things: their uncertainty about the fate of Papa the ever-present chance that they will be chosen to board the trains that leave each day for the death camps. While the book is fiction, the author has based it on the life of her own mother-in-law, who survived in the camps even as her sister did. Every word of this radical change for Isaacs (Swamp Angel, 1994, etc.) rings as true as any first-person story told by an actual survivor, giving young readers another powerful testament to the horrors of the

Holocaust. (Fiction 10-14)

Pub Date: April 1, 2000

ISBN: 0-590-60363-9

Page Count: 192

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2000

Categories:

CHILDREN'S HISTORY

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THE CENTURY FOR YOUNG PEOPLE

by Peter Jennings & Todd Brewster ‧ RELEASE DATE: Oct. 1, 1999

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Just in time for the millennium comes this adaptation of Jennings and Brewster’s The Century (1998). Still a browsable, coffee-table edition, the book divides the last 100 years more or less by decade, with such chapter headings as “Shell Shock,” “Global Nightmare,” and “Machine Dreams.” A sweeping array of predominantly black-and-white photographs documents the story in pictures—from Theodore Roosevelt to O.J., the Panama Canal to the crumbling Berlin Wall, the dawn of radio to the rise of Microsoft—along with plenty of captions and brief capsules of historical events. Setting this volume apart, and making it more than just a glossy textbook overview of mega-events, are blue sidebars that chronicle the thoughts, actions, and attitudes of ordinary men, women, and children whose names did not appear in the news. These feature-news style interviews feature Milt Hinton on the Great Migration, Betty Broyles on a first automobile ride, Sharpe James on the effect of Jackie Robinson’s success on his life, Clara Hancox on growing up in the Depression, Marnie Mueller on life as an early Peace Corps volunteer, and more. The authors define the American century by “the inevitability of change,” a theme reflected in the selection of photographs and interviews throughout wartime and peacetime, at home and abroad. While global events are included only in terms of their impact on Americans, this portfolio of the century is right for leafing through or for total immersion. (index) (Nonfiction. 9-12)

Pub Date: Oct. 1, 1999

ISBN: 0-385-32708-0

Page Count: 245

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

Categories:

CHILDREN'S HISTORY

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CIVIL WAR ARTIST

by Taylor Morrison ‧ RELEASE DATE: April 1, 1999

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It took four weeks for illustrations of scenes from the US’s Civil War battles to make it from the front lines to readers’ hands; Morrison (Cheetah, 1998, etc.) explains that process in his uniquely handsome book. Morrison introduces the fictional artist, William Forbes, commissioned by the fictional Burton’s Illustrated News to follow the Union Army into battle at Bull Run. Throughout the day’s fighting Forbes makes quick sketches; it is risky business, and he is often in mortal peril. That night he makes a more complete drawing, which is handed to a courier and taken back to the Burton offices. There, engravers set to work translating Forbes’s drawing to a grid of wood blocks (Morrison includes interesting incidentals along the way, giving the process its due). The images are converted to electrotype, whereafter it is finally ready for the operators and pressman. Shortly after that, the newsboys are seen hawking the illustrated weekly, containing Forbes’s image a mere month after the actual event. Morrison successfully renders the complexities of illustrating newspapers 150 years ago, and just as successfully conveys that in abandoning the wood block for the photograph, some of the art was sacrificed for speed. (glossary) (Picture book. 6-10)