An engaging novel about the loves that define our lives.
An adventurous researcher returns to her childhood home and must navigate relationships with her brother, her ex-fiance, and a potential new lover.
Maeve Donnelly has been interested in sharks ever since she was bitten by one as a 12-year-old and survived. Now an adult, Maeve is a marine biologist and more comfortable with sharks than she is with people. At the end of a research trip, Maeve is drawn to Nicholas, a fellow researcher, and invites him to meet her in Mozambique for her next expedition. Yet when she returns to her childhood home at her aunt’s hotel in Florida, where she and her brother moved after their parents died in a private plane accident, she finds unresolved family and romantic relationships waiting for her. Maeve learns that her less successful twin brother, Robin, has had a novel accepted for publication, and it's loosely based on a broken engagement in Maeve’s past. Further, Maeve’s ex-fiance, Daniel, is now the hotel's chef. Before Maeve can decide whether to move forward with Nicholas, she must address her lingering connection to Daniel, which is no easy task given that the two haven’t spoken since Daniel confessed an affair to her. To complicate matters, Daniel’s precocious 6-year-old daughter, Hazel (who was born of his affair), now lives with him after the untimely death of her mother. Hazel is taken with sea creatures and invites Maeve to be a member of The Shark Club with her. Maeve’s professional life is also challenged as an illegal finning operation has moved into the area and is targeting local sharks. Taylor’s debut novel paints a fascinating portrait of sharks and a woman who loves them, with the sweet, burgeoning relationship between Maeve and Hazel as its anchor. The romantic relationships never feel quite fully realized, however, as Nicholas’ presence is too fleeting to endear the reader to him, which makes Maeve’s dilemma of whether to be with him or Daniel seem more symbolic than anything. Considering that the novel is told in the first person, at times Maeve’s thoughts and motivations are also surprisingly hidden both from herself and the reader. There is an interesting cast of secondary characters, such as Maeve’s aunt and brother, and the scenes depicting Maeve’s intellectual and emotional ties to sharks are captivating, especially as the illegal finning operation becomes an urgent local issue that forces her into activism.
An engaging novel about the loves that define our lives.Pub Date: June 6, 2017
ISBN: 978-0-7352-2147-5
Page Count: 288
Publisher: Viking
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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