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THE FOUNDLING

Leary’s wit complements her serious approach to historical and psychological issues in this thoroughly satisfying novel.

Leary turns her mordant eye to the interplay of feminism, racism, and eugenics at a state institution for women deemed unfit to bear children in 1927.

The fictional Nettleton State Village for Feebleminded Women of Child Bearing Age is based on actual asylums where women deemed to have “moral feeblemindedness”—often because they defied social norms or their husbands—were involuntarily placed. Narrator Mary Engle comes to work as a secretary at the supposedly benevolent Nettleton when she’s not quite 18. Having lived in an orphanage until she was 12, Mary feels at home in the institutional setting, and she's also deeply impressed with Nettleton’s superintendent, Dr. Agnes Vogel, a woman who's both a respected doctor—rare at the time—and a suffragette. Then Mary recognizes Lillian Faust, one of the inmates, as a slightly older girl she'd known at the orphanage; Lillian claims she doesn’t belong at Nettleton, saying her abusive husband stuck her there because she'd had a baby with her Black lover. Mary feels conflicted, her instinct to help Lillian escape at odds with her loyalty to Dr. Vogel. Mary is also having a romance with a muckraking Jewish journalist she doesn’t fully trust. Leary’s spot-on descriptions of small moments (learning the Charleston, drinking bootleg liquor) bring the Prohibition era to life. The murky politics and ethics of the time, hinting of parallels with today, are embodied in Dr. Vogel—a feminist committed to expanding women’s rights but also an ardent promoter of eugenics and populist fears (of Blacks, Jews, and Catholics, among others) and a despot who cares little about the Nettleton inmates’ welfare. But the novel’s heart centers on Mary’s moral coming-of-age. Not as naïve as she’d have others believe and possessing a strong survival instinct, Mary clings defensively to her belief in Dr. Vogel despite damning evidence because doing so suits her ambitions. The reluctance with which Mary changes makes her eventual act of courage—against social conventions and despite the personal cost—all the more satisfying.

Leary’s wit complements her serious approach to historical and psychological issues in this thoroughly satisfying novel.

Pub Date: May 31, 2022

ISBN: 978-1-982120-38-2

Page Count: 336

Publisher: Marysue Rucci Books

Review Posted Online: March 1, 2022

Kirkus Reviews Issue: March 15, 2022

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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