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I LIKE, I DON'T LIKE

Name: I LIKE, I DON'T LIKE
Author: Anna Baccelliere
ISBN: 978-0-8028-5480-3

by Anna Baccelliere ; illustrated by Ale + Ale ‧ RELEASE DATE: March 6, 2017

A hard, heartfelt read.

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A picture-book effort to raise consciousness in privileged readers about child labor and poverty.

On each spread, the simple text reads “I like [something]” on the verso and “I don’t like [the same something]” on the recto in order to juxtapose children set in very different, but related, scenes. The contrasting sentences and their accompanying mixed-media illustrations position the child who likes something as privileged and playful and the child who doesn’t like that same thing as exploited and oppressed while laboring. For example, facing pages that read, “I like shoes. / I don’t like shoes,” depict a white girl playing dress-up with high heeled shoes on the verso, while the recto illustration manipulates scale and depicts a barefoot child of color dwarfed by a large men’s dress shoe as she crouches before it with shoe-shine tools. The poignant, culminating spread breaks this established pattern and reads, “I like playing. / What is playing?” Throughout, striking illustrations include a racially diverse group of children in positions of privilege, but all the exploited child laborers appear to be children of color in different cultural contexts. Front- and backmatter pages reference the U.N.’s 1989 Convention on the Rights of the Child (noting that the United States has not ratified it) and point readers to organizations helping to reduce poverty and eliminate child labor.

A hard, heartfelt read. (Picture book. 4-8)

Pub Date: March 6, 2017

ISBN: 978-0-8028-5480-3

Page Count: 28

Publisher: Eerdmans

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

Categories:

CHILDREN'S SOCIAL THEMES | CHILDREN'S HEALTH & DAILY LIVING

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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TINY T. REX AND THE IMPOSSIBLE HUG

by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019

Wins for compassion and for the refusal to let physical limitations hold one back.

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With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)