A straightforward and charming Regency romance with a pleasing horticultural bent to set it apart.
A debutante finds her match at last—after she is betrothed to another.
The last of a trio of debutantes is about to find herself off the marriage market, much to her dismay. Sophie Kendall is to be betrothed in two months to Lord Singleton, an inoffensive man she has no interest in but must marry to settle her father’s debts. This means she'll no longer be leading the clandestine meetings of the Debutante Underground, an “eclectic group of women” from all walks of life who meet to discuss “sensitive topics such as courting, desire, intimacy, and love.” It also means she shouldn’t take any interest in Henry Reese, the Earl of Warshire, whom she’s just met in her quest to find a new meeting spot for the group. But Henry is desperate to get to know Sophie better after he learns that her tea, and her presence, is so soothing to him that he's able to get a good night’s sleep despite his persistent PTSD. In exchange for the use of his space for her group, she agrees to spend one chaste night with him each week, insisting that they aren’t to touch each other at all. But her strict boundaries are no match for their attraction, and she is soon regretting her imminent engagement, which will mean the end of all the relationships that are important to her—unless she calls it off, ruining her family. Sophie’s prohibition against physical touch adds a heightened chemistry to the scenes of intimacy between her and Henry, which build nicely in intensity throughout the story. Sophie’s freedom to leave her house overnight without any chaperone feels awfully contemporary, but Bennett provides an explanation plausible enough to let the fun continue. Readers who love a grumpy-to-smitten hero will swoon for Henry, and his PTSD is sensitively handled, if a bit simplistic.
A straightforward and charming Regency romance with a pleasing horticultural bent to set it apart.Pub Date: May 26, 2020
ISBN: 978-1-250-19950-8
Page Count: 336
Publisher: St. Martin's
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A wallowing, emotionally wrenching family drama that leaves little time for romance.
Two people with bad luck in relationships find each other through a popular Reddit thread.
Emma Grant and her best friend, Maddy, are travel nurses, working at hospitals for three-month stints while they see the country. Just a few weeks before they’re set to move to Hawaii, Emma reads a popular “Am I the Asshole” Reddit thread from a Minnesota man who thinks he’s cursed—women he dates find their soulmates after breaking up with him, and the latest one found true love with his best friend! Emma has had a similar experience, which inspires her to DM the man and commiserate. She’s delighted by her witty, lively interactions with software engineer Justin Dahl, and is intrigued when he suggests that if they date each other, maybe they’ll each find their soulmate afterward. Emma upends the Hawaii plan and convinces Maddy to move to Minneapolis for the summer so she can meet Justin in person. The overly complex setup brings Emma and Justin together and the two hit it off, with Justin immediately falling head over heels for Emma. Jimenez then pivots to creating romantic roadblocks and melodramatic subplots centering on each character’s family of origin. Justin’s mother is about to serve six years in prison for embezzlement, which means Justin must move back home to care for his three much younger siblings. Emma was traumatized by her own mother for much of her childhood, left to fend for herself and eventually abandoned in the foster system. When her mother shows up in Minnesota, Emma must face her traumatic childhood and admit that she has prioritized her mother’s well-being over her own. There is little time devoted to Emma’s painful efforts to heal herself enough to accept Justin’s love, which leaves the novel feeling unsatisfying.
A wallowing, emotionally wrenching family drama that leaves little time for romance.Pub Date: April 2, 2024
ISBN: 9781538704431
Page Count: 432
Publisher: Forever
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 15, 2024
SEEN & HEARD
SEEN & HEARD
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