Born around 1887, Maria Martinez became one of the greatest Native artists of all time.
This story of a young girl from San Ildefonso Pueblo, near Santa Fe, New Mexico, celebrates the strong sense of culture and identity the Tewa people have maintained through the centuries. Intrigued by her people’s traditions, young Maria would rather fashion clay pots than play with straw dolls, but every time she makes one, it breaks apart while drying in the sun. Seeing her niece’s dedication, her aunt teaches Maria how to mix the clay with volcanic ash and water before coiling it between her hands to bake in an open fire. What evolves from these lessons is a young child’s sense of pride in her cultural history as well as the rediscovery of a technique long forgotten by her people. From New York to San Francisco, Maria becomes famous for her signature pottery style, making her name synonymous with excellence and value in the pottery world. Aphelandra, who has Oneida heritage, paints with the hues of the Rio Grande’s turquoise waters, orange pottery fires, pink sandstone sunsets, and the obsidian black clay of Maria’s pots; the result is earthy and elemental, containing the spirit of the New Mexican landscape. The characters are depicted in their traditional Tewa clothing and hairstyles, encompassing multiple generations of the artists’ family in a way that strikes upon the legacy she both received and left behind.
A deserved celebration of a famous Tewa potter who elevated her craft to fine art.
(biographical note, historical note, authors’ note, sources) (Picture book/biography. 4-8)