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THE FAREWELL SYMPHONY

The life of a musician has never been easy. When Prince Nicholas takes 22 musicians on an extended visit to his summer palace to provide non-stop music for his guests, he refuses the request of his royal music director, Joseph Haydn, to allow the musician's families to visit. Dejected after many weeks of separation, Haydn writes a composition called "The Farewell Symphony" (Symphony No. 45) to express the musicians' longing for home and family and their contempt for being treated so callously. To ensure that his message will be driven home, Haydn writes an ending in which the musicians are to abruptly leave one by one, until the stage is devoid of life. The author's note describes Haydn's work in the court of Prince Nicholas, utilizing interesting information from archival documents. Written by a classical musician, the personal details of Haydn's life and thoughts surrounding the creation of this piece are solidly grounded in music history and an understanding of this profession. A CD recording of Haydn's symphony is included; performed by the orchestra of St. Luke's, it should bring to life these visual images. The type of instruments used during the 18th century are nicely explained and pictured. Kitchel's watercolor and ink illustrations capture Haydn's dilemma and the Prince's reluctant change of heart most eloquently. (Picture book. 4-9)

Pub Date: July 1, 2000

ISBN: 1-57091-406-0

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2000

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JOE LOUIS, MY CHAMPION

One of the watershed moments in African-American history—the defeat of James Braddock at the hands of Joe Louis—is here given an earnest picture-book treatment. Despite his lack of athletic ability, Sammy wants desperately to be a great boxer, like his hero, getting boxing lessons from his friend Ernie in exchange for help with schoolwork. However hard he tries, though, Sammy just can’t box, and his father comforts him, reminding him that he doesn’t need to box: Joe Louis has shown him that he “can be the champion at anything [he] want[s].” The high point of this offering is the big fight itself, everyone crowded around the radio in Mister Jake’s general store, the imagined fight scenes played out in soft-edged sepia frames. The main story, however, is so bent on providing Sammy and the reader with object lessons that all subtlety is lost, as Mister Jake, Sammy’s father, and even Ernie hammer home the message. Both text and oil-on-canvas-paper illustrations go for the obvious angle, making the effort as a whole worthy, but just a little too heavy-handed. (Picture book. 5-8)

Pub Date: May 1, 2004

ISBN: 1-58430-161-9

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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