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THE LOST FAIRY TALES

From the Pages & Co. series , Vol. 2

Winsomely harking back to the oldest children’s classics, this has special appeal for romantic bibliophiles.

Why is the new head of the Underlibrary cracking down on bookwandering?

After Enoch Chalk escaped into fiction in series opener The Bookwanderers (2018), the old Head Librarian was disgraced. Her replacement, the smarmy demagogue Melville, begins his tenure with a bang: He forbids Oskar and Tilly from bookwandering, bans Tilly’s whole family from the British Underlibrary, and implements tracking measures to locate every bookwanderer. Oskar and Tilly are ready to battle the new regime, and they don’t understand the wariness of Tilly’s grandparents, who warn them to obey the new rules. When they disobey the adults’ dire warnings and enter a book of fairy tales, they discover horrible dangers. Fairy-tale characters are dissolving into black ooze or vanishing altogether. Oskar’s kidnapped into Rapunzel’s story, and even Tilly, who’s half-fictional on her father’s side, is hard-pressed to rescue him. The fairy-tale boundaries are so corrupted that Rapunzel is besieged by countless worthless Prince Charmings—Tilly and Oskar had best find out what’s wrong posthaste. Droll illustrations spice up the text, though frequent changes of typeface add distraction rather than flair. An author’s note on fairy tales is insufficiently clear on the distinction between the oral tradition and original tales. The story itself is clearer on this point, which is lucky, as fairy tales’ having no original source edition is key to the adventure. Oskar has brown skin; Tilly (and most other human characters) seems to be white.

Winsomely harking back to the oldest children’s classics, this has special appeal for romantic bibliophiles. (Fantasy. 9-11)

Pub Date: May 5, 2020

ISBN: 978-1-9848-3729-5

Page Count: 288

Publisher: Philomel

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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TALES OF A FIFTH-GRADE KNIGHT

A fizzy mix of low humor and brisk action, with promise of more of both to come.

Heroic deeds await Isaac after his little sister runs into the school basement and is captured by elves.

Even though their school is a spooky old castle transplanted stone by stone from Germany, Isaac and his two friends, Max and Emma, little suspect that an entire magical kingdom lies beneath—a kingdom run by elves, policed by oversized rats in uniform, and populated by captives who start out human but undergo transformative “weirding.” These revelations await Isaac and sidekicks as they nerve themselves to trail his bossy younger sib, Lily, through a shadowy storeroom and into a tunnel, across a wide lake, and into a city lit by half-human fireflies, where they are cast together into a dungeon. Can they escape before they themselves start changing? Gibson pits his doughty rescuers against such adversaries as an elven monarch who emits truly kingly belches and a once-human jailer with a self-picking nose. Tests of mettle range from a riddle contest to a face-off with the menacing head rat Shelfliver, and a helter-skelter chase finally leads rescuers and rescued back to the aboveground. Plainly, though, there is further rescuing to be done.

A fizzy mix of low humor and brisk action, with promise of more of both to come. (Fantasy. 9-11)

Pub Date: Aug. 1, 2015

ISBN: 978-1-62370-255-7

Page Count: 160

Publisher: Capstone Young Readers

Review Posted Online: June 28, 2015

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