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WHEN THE MOON WAS OURS

Readers will be ensnared in this ethereal narrative long before they even realize the net has been cast.

McLemore (The Weight of Feathers, 2015) mesmerizes once again with a lush narrative set at the thresholds of identity, family, and devotion.

No one thinks twice about the friendship between Miel, the Latina teen who fears pumpkins and grows roses from her wrist, and Samir, the Italian-Pakistani boy who hangs his painted moons all around town and brought Miel home when she appeared from inside a water tower as a child. They are linked by their strangeness and bound to each other by their secrets—those that transgender Sam shares about his body and his name and those that Miel keeps about her family and her past. But just as the pair’s bond expands to passion, the Bonner girls, who are rumored to have the power to make anyone fall in love with them, decide that Miel’s roses are the only thing that will repair their weakening influence over others, and the four white sisters will leverage every secret that haunts Miel and that could destroy Sam to get what they want. Luxurious language infused with Spanish phrases, Latin lunar geography, and Pakistani traditions is so rich it lingers on the tongue, and the presence of magic is effortlessly woven into a web of prose that languidly unfolds to reveal the complexities of gender, culture, family, and self.

Readers will be ensnared in this ethereal narrative long before they even realize the net has been cast. (Magical realism. 13-17)

Pub Date: Oct. 4, 2016

ISBN: 978-1-250-05866-9

Page Count: 288

Publisher: Dunne/St. Martin's

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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DRY

Mouths have never run so dry at the idea of thirst.

When a calamitous drought overtakes southern California, a group of teens must struggle to keep their lives and their humanity in this father-son collaboration.

When the Tap-Out hits and the state’s entire water supply runs dry, 16-year-old Alyssa Morrow and her little brother, Garrett, ration their Gatorade and try to be optimistic. That is, until their parents disappear, leaving them completely alone. Their neighbor Kelton McCracken was born into a survivalist family, but what use is that when it’s his family he has to survive? Kelton is determined to help Alyssa and Garrett, but with desperation comes danger, and he must lead them and two volatile new acquaintances on a perilous trek to safety and water. Occasionally interrupted by “snapshots” of perspectives outside the main plot, the narrative’s intensity steadily rises as self-interest turns deadly and friends turn on each other. No one does doom like Neal Shusterman (Thunderhead, 2018, etc.)—the breathtakingly jagged brink of apocalypse is only overshadowed by the sense that his dystopias lie just below the surface of readers’ fragile reality, a few thoughtless actions away. He and his debut novelist son have crafted a world of dark thirst and fiery desperation, which, despite the tendrils of hope that thread through the conclusion, feels alarmingly near to our future. There is an absence of racial markers, leaving characters’ identities open.

Mouths have never run so dry at the idea of thirst. (Thriller. 13-17)

Pub Date: Oct. 2, 2018

ISBN: 978-1-4814-8196-0

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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TIGER'S TALE

From the Tiger's Tale series , Vol. 1

Returning fans, anyway, will pounce.

Houck kicks off a new story arc in the world of the Tiger’s Curse series with new tigers who live in a northerly setting.

The death of their widowed royal mother touches off a crisis in the Kievian Empire; neither Stacia nor Verusha Stepanov, 17-year-old sword-wielding twin sisters, wants to be named tsarina. But questions of succession get put on hold when a battle with a sorcerer inexplicably turns the two into nonspeaking Siberian tigers. Hints of a cure send them, along with a growing entourage of men to provide assistance (and, perforce, do all the talking), on a long trek. Though most of the cast sticks to genre type, Houck throws in a wild card in the form of hunky, inarticulate Nikolai, who joins the quest because he is enthralled by Verusha—and who also killed his whole family in an act of revenge. Occasional anachronistic dialogue (e.g., “Are you ready, ladies?”) disrupts the tale’s generally earnest tone, as do the clumsy attempts at banter. A third tiger, snarky and blind but conveniently able to see through others’ eyes, trots in late in the story. The events in this setup volume unfold with many a flashback and change in point of view and head toward no sort of resolution—only the cave-dwelling White Shaman of the Tundra’s advice that further journeys are in the offing. The central cast in this Russian-inspired fantasy world presents white; the Indigenous population includes nomadic reindeer herders.

Returning fans, anyway, will pounce. (Fantasy. 13-16)

Pub Date: Sept. 10, 2024

ISBN: 9798212221696

Page Count: 350

Publisher: Blackstone

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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