by Anna McQuinn ; illustrated by Ruth Hearson ‧ RELEASE DATE: Feb. 25, 2014
Leo, who first appeared in Lola Reads to Leo (2012), attends a baby program with his mother.
He and his fellow sitting-up babes enjoy singing and playing on their grown-ups’ laps, as well as exploring books and toys. The single- and double-page spreads include one or two sentences describing the action written in a bold, black type: “First they sing the happy song. / Then they play peekaboo with scarves!” Hearson effectively channels the style of Rosalind Beardshaw, who illustrated the previous Lola titles, and creates cozy cartoon scenes in warm jewel tones. The setting of this program is left unclear, but it could easily be a public library or a community center in a very diverse neighborhood (the skin tones range from chocolate to peach). Organizations offering such events will want to stock up on this title, since it offers a perfect introduction for babies and their caregivers alike. While the ending feels a bit abrupt, little ones will find much to recognize here, and their grown-ups will appreciate the baby-friendly book design with its thicker-than-normal pages, jacketless cover and rounded corners. Like Leo and his friends, this book is a buoyant and bouncy delight. (Picture book. 6-18 mos.)
Pub Date: Feb. 25, 2014
ISBN: 978-1-58089-665-8
Page Count: 24
Publisher: Charlesbridge
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
Share your opinion of this book
More In The Series
by Anna McQuinn ; illustrated by Rosalind Beardshaw
by Anna McQuinn ; illustrated by Rosalind Beardshaw
by Anna McQuinn ; illustrated by Ruth Hearson
More by Anna McQuinn
BOOK REVIEW
by Anna McQuinn ; illustrated by Ruth Hearson
BOOK REVIEW
by Anna McQuinn ; illustrated by Ruth Hearson
BOOK REVIEW
by Anna McQuinn ; illustrated by Rosalind Beardshaw
by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
Share your opinion of this book
More by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
BOOK REVIEW
by Josh Schneider ; illustrated by Josh Schneider
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Share your opinion of this book
More In The Series
adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
More by Chloe Perkins
BOOK REVIEW
by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.