CHRYSALIS

A woman transforms from a junior lawyer into a reclusive fitness influencer.

“I liked watching her,” Elliot says of this novel’s unnamed protagonist. She’s the newcomer at his gym, self-possessed and at ease hoisting heavy kettlebells; he’s a loner who tries to take a creepy video of her while she exercises. An obsession with fitness brings them together. But her goals are unorthodox. “Have you ever wanted to be a plant?” she asks Elliot. What she wants is stillness. “As she became stronger, her movements slowed down,” Elliot says. “She walked slowly, talked slowly. Even her breathing seemed slow.” She will soon retreat to the countryside and become an unusual internet figure, posting sparse videos in which she holds demanding yoga poses for over an hour. Metcalfe’s triptych is written in clean, matter-of-fact prose. The other two narrators are Bella, the protagonist’s artist mother, and Susie, a roommate. Biographical details are unspooled slowly and with deliberateness: The protagonist had a troubled childhood. She dated Paul, a law colleague who grew controlling and locked her in their apartment’s spare room. These things can explain why the protagonist has adopted fitness, but they can’t explain the intense effect she has on the people around her, whom she routinely uses and then discards. “She has a power over the people who find her,” Susie says. “Once you’ve known her, it’s hard to go back to a time before.” The internet will soon help thousands of people know her. Some of her followers abandon their lives and seek the protagonist’s isolation in the countryside, following her mantra: Aloneness can be beautiful. Has she empowered these followers or merely indulged their anti-social tendencies? Has she rediscovered monasticism, or is this a totally modern phenomenon? Metcalfe won’t say, and readers of this excellent novel will stew on these questions for weeks.

A powerful, eerie debut novel that investigates stillness and selfishness.