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AMERICA PACIFICA

An entertaining, stylishly written doomsday novel.

On an island nation created after North America is ravaged by a new Ice Age, 18-year-old Darcy uncovers dark secrets about her homeland and its past when her mother Sarah goes missing.

North's richly imagined first novel is set several decades from now on the island of America Pacifica, located somewhere west of Hawaii and under threat of invader ships from the former 50th state. One of the only inhabitable places left in the world, it features facsimile towns like Manhattanville, Little Los Angeles and Upper Chicagoland that mirror cities past. Darcy, a waitress, lives a hand-to-mouth existence with Sarah, a pearl diver by trade, in a leaky apartment. Her mother, who arrived on the first boat from the mainland as a child, pointedly refuses to talk about her previous life. As she investigates Sarah's disappearance, Darcy is slowly awakened to the island's despotic rule, under which most citizens eat imitation turkey (jellyfish), seaweed salad and egg "product" while a privileged few living in exclusive areas dine on real steak and potatoes. Darcy also learns about a mainland visionary whose ideas so threaten the ruling powers, they are determined to kill people like Sarah who knew or had any connections with him. After she befriends radicals with plans to overthrow the aging ruler and his fake board of governors, Darcy becomes a prime target. North, a recent graduate of the Iowa Writers' Workshop, is a stylish writer and a good storyteller who keeps the pages turning. Even as it utilizes some standard retro-future devices, the novel downplays science fiction in favor of a naturalistic and even realistic narrative. As plucky and resourceful as she is melancholic and vulnerable, Darcy is a likable heroine, and the supporting characters add to the book's flavor with their quirks.

An entertaining, stylishly written doomsday novel.

Pub Date: May 18, 2011

ISBN: 978-0-316-10512-5

Page Count: 320

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: March 2, 2011

Kirkus Reviews Issue: March 1, 2011

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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