by Anna Orenstein-Cardona ; illustrated by Juan Manuel Moreno ‧ RELEASE DATE: Aug. 23, 2022
An engaging story about rescuing a tree and reconstructing Puerto Rico after Hurricane Maria.
Orenstein-Cardona explores the impact of Hurricane Maria through the story of a stately banyan tree.
The tree (in Spanish, jagüey blanco) is well known, providing shade by the San Juan Gate, which surrounds the old city. When the hurricane hits in September 2017, the tree feels he will survive. “ ‘I am ready,’ said the tree, digging his roots deeper into the rich Caribbean soil.” But this storm is worse than anything he and the people of Puerto Rico have ever experienced, and it almost kills the tree. Finally, the large tree cracks, and his large crown falls into the nearby ocean. His stump and roots remain, but in language that treats the tree in human terms “he drifted between this world and the next.” An unnamed girl, with dark hair and brown skin, discovers the tree’s plight and brings help. In “Behind the Story,” the author discusses the true story that inspired this tale. Some may object to the anthropomorphizing of the tree, but this meaningful story evades didacticism and links the tree’s resilience with the fortitude of Puerto Ricans determined to rebuild their lives. People are pictured with different skin tones, reflecting the diversity of Puerto Rico. Observant children will notice the young girl who helps the tree, pictured with her family, in many of the realistic illustrations, which picture the Caribbean island before and after the intense storm. (This book was reviewed digitally.)
An engaging story about rescuing a tree and reconstructing Puerto Rico after Hurricane Maria. (author’s note) (Picture book. 6-8)Pub Date: Aug. 23, 2022
ISBN: 978-1-5064-8409-9
Page Count: 40
Publisher: Beaming Books
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Mo Willems ; illustrated by Mo Willems
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by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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