Worth wading through the tears for the generous helping of Daisy Dooley wisdom.
Self-help junkie comes to terms with her divorce.
Daisy knew she married the wrong man. It was obvious, yet rather than trust her instincts, she forged ahead with her marriage plans to avoid becoming that desperate cliché—a desperate-for-babies career gal in her late 30s. A few years into her painfully dull marriage, Daisy has the courage to get out and try again. Don’t be mistaken by this one heroic act. Daisy isn’t naturally prone to action. To the contrary, after she leaves her husband, Daisy enjoys a nice long pity party held at her mother’s country digs. Besides her tireless mum, Daisy relies on her two closest pals, Jess and Lucy, to help mend her wounds and to listen to her ramblings. Be prepared for the tear fest that ensues as Daisy performs a postmortem on her marriage. Things appear pretty gloomy for this jobless divorcee as she prepares to re-enter the dating pool. Cue more floodworks when Daisy has a disastrous first “PPD” (post-divorce date). It gets so bad that readers stand the chance of drowning in Daisy’s misery and misfortune. But Pasternak (Princess in Love, 1994) gets things moving again. Daisy lands a job and starts revamping her love life. Reinventing herself as a self-help guru, she garners attention from book lovers and publishers as she helps London’s singles mend their hearts. Romantically, things start to look up when Daisy reconnects with Julius, her lifelong love. But don’t wait for the neat and tidy happy ending. Pasternak’s second novel is an unexpected treat: Daisy challenges everyone in her orbit to embrace living in the moment and to let go of expectations.
Worth wading through the tears for the generous helping of Daisy Dooley wisdom.Pub Date: Oct. 22, 2007
ISBN: 978-0-446-17794-8
Page Count: 368
Publisher: 5 Spot/Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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