by Anna Pignataro ; illustrated by Anna Pignataro ‧ RELEASE DATE: Nov. 3, 2015
Though it’s certainly well-meaning, it lacks the wit that brings such schoolroom dramas as Kevin Henkes’ and Peter McCarty’s...
Even in a world populated by anthropomorphic animals of all sorts, Agatha stands out.
She has her mom’s piggy ears and her dad’s bearish nose, and even at family gatherings, she doesn’t quite fit in. At her first birthday party, all the bears from her dad’s side of the family stand on verso, and all the pigs from her mother’s side stand on recto, with a smiling Agatha in the middle. Standing among her easily identifiable, unispecies kindergarten classmates, she realizes she’s “a little different from everyone else.” When their teacher asks each of her students what makes them special, Agatha is so mortified that she hides. But everyone misses her, and when she pops out from her hiding place, her classmates find many things about her special: most of all, Agatha is best at “being Agatha.” The illustrations resemble pencil drawing with touches of color, and the animals look more alike than different, which may be the point. The story doesn’t have much of a dramatic arc; celebrating Agatha’s difference is its main point. Agatha herself is certainly endearing, with her green dress and red shoes and winsome expression, but a teacher asking each child what makes them special—using the tired “special snowflake” cliché—is an idea fraught with pitfalls.
Though it’s certainly well-meaning, it lacks the wit that brings such schoolroom dramas as Kevin Henkes’ and Peter McCarty’s alive. (Picture book. 4-7)Pub Date: Nov. 3, 2015
ISBN: 978-1-4998-0096-8
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Aug. 30, 2015
Kirkus Reviews Issue: Sept. 15, 2015
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by Margaret Hamilton ; illustrated by Anna Pignataro
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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