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LIVING ON AIR

Bracing and raw portrait of the inner life of a directionless, if passionate, suburban rebel.

The dark heart of a 1960s Levittown family is artfully revealed.

Shapiro (Life and Love, Such as It Is, 1999, etc.) chronicles the high-school years of Maude Pugh, the misunderstood daughter of a self-important artist and a socially awkward mother. The Pughs live in a house that seems to be the clone of a thousand others, but on the inside is utterly unique; her father has painted all the walls black to better display his artwork. Maude’s best friend Weesie thinks the house is a marvel, but Maude yearns for the understated elegance of Weesie’s upper-class Long Island manor. If the interior of Maude’s house is unusual, the interior of her family is even more so. Her mother and father split up over the course of the narrative, and her older brother Seth, unabashedly idolized by her parents, has disappeared from their lives, leaving Maude to bear the brunt of her parents’ brutalizing emotional eccentricities. Maude, chafing at her family’s restraints, secretly applies and wins a scholarship to attend Bay Farm, an elite private high school. Once there, Maude is introduced to both class ambition and class division: Her parents are uncomfortable because she is moving up the social ladder; her classmates fetishize her because she is an artist’s daughter with all of the requisite quirks; and Maude herself is caught between the knowledge that she doesn’t really belong among the very wealthy and a new sense of class difference. When Maude loses her scholarship and enrolls in community college, she finds herself even more of an outsider. Although the plot appears to follow the usual coming-of-age story are by concentrating on a typically angst-ridden adolescent girl, it has none of the loss-of-innocence rhetoric or false family resolutions that characterize the genre. Shapiro’s portrait of Maude is knife-sharp; she completely inhabits the consuming inner world of a painfully intelligent adolescent girl, showing Maude’s every mood, thought and desire with piercing clarity.

Bracing and raw portrait of the inner life of a directionless, if passionate, suburban rebel.

Pub Date: May 1, 2006

ISBN: 1-56947-431-1

Page Count: 272

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2006

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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