A sensitive arc depicts a journey from alienation to connection.
A dramatic and remarkably unkind pet departs, leaving a child and parent room to become closer.
When Jack stays at Dad’s house, they sometimes talk and make tacos and milkshakes. But their kitchen table is long, and they sit apart, neither animated nor chatty. Dad has stopped telling jokes, and his son’s concerned: “Jack couldn’t be there all the time. The house was so quiet. He wondered if his dad was lonely. Jack knew what that felt like.” Distance sits inaudibly between them. Then, Jack arrives one Tuesday night to find that a parrot—found on the doorstep after a storm—suddenly lives with them. Jimmy is bright green, boisterous, and mocking, even stealing Jack’s underwear. Jack’s intimidated and meekly jealous—but Dad, oblivious, finds Jimmy funny and “amazing.” In a wondrous two-spread climax, hurt feelings take physical form: Jack’s darkened bedroom fills with multitudinous parrots of many colors, all staring straight at him. Desperate, he opens the window and they all fly out. “Then morning arrived”—and three dropped green feathers show that Jimmy went too. Walker’s artwork is delicate and understated; gentle precision gives a light touch to everything from facial expressions to chairs, shoes, and headphones. When Dad makes the change that’s necessary for emotional intimacy, dialogue is spare and simple, and all the more satisfying for it. Jack and Dad appear White.
A sensitive arc depicts a journey from alienation to connection. (Picture book. 4-8)Pub Date: Feb. 9, 2021
ISBN: 978-0-358-19358-6
Page Count: 40
Publisher: Clarion Books
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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