Two pairs of sisters share a similar dynamic—and a tragically intertwined fate.
After Lyon made her debut with a well-received historical novel about Aristotle (The Golden Mean, 2010) and followed it with a sequel (The Sweet Girl, 2013), her third adult novel is a complete departure, set largely in present-day Vancouver. Sara is a sophisticated intellectual who shops for designer clothes and expensive perfume in Paris; she considers her hometown a bit of a backwater. But after her mother’s death, Sara’s travels are curtailed, as the care of her developmentally disabled younger sister, Mattie, is now in her hands. Though she’s not paying close enough attention to prevent the beautiful Mattie from getting married to their late mother’s handyman, as soon as she finds out about the marriage, she swings into action to have it annulled. In a parallel storyline, Saskia and Jenny are a pair of twins who are as different as Sara and Mattie. Saskia is the smart one, Jenny the wild one. And like Sara's, Saskia’s prospects will ultimately be constrained by her sisterly responsibilities. Following two similar stories with similarly named characters can be a challenge, and between that and the amount of contrivance and tragedy required to bring the storylines together, Lyon’s novel bogs down. The most enjoyable aspects of the book have little to do with the plot and are mostly Sara's—scenes in dress shops and perfume stores, her thoughts about the plots of a fictional memoir and a fictional TV show, her fantasy of an imaginary alternate life. “In her mind she lives alone, somewhere old and elegantly seedy: Lisbon, Venice, or some old Caribbean port where the sun dawns pinkly and the trade winds cool the veranda in the evening…she drinks at dusk and writes on a vintage pink typewriter before that….” Instead, she's stuck in this B-movie melodrama.
An ultrabusy plot overwhelms elegant writing.