A long-view denunciation of today’s avalanche of disinformation, fake news, and propaganda.
Newitz, journalist, host of the Our Opinions Are Correct podcast, and author of Four Lost Cities, among works of science fiction, argues that “weaponized storytelling” has been an American tradition throughout its history. During the Revolution, Benjamin Franklin published a fake newspaper article describing a fictional British officer’s delight at boxes of scalps from colonial settlers, women, and children, delivered by Native American allies. Reprinted widely, it produced universal outrage. The author moves on to examine what some scholars proclaim was America’s “foundational moment”—not the Revolution but the Indian Wars, when white settlers replaced Indigenous communities with their own. Readers long familiar with the deplorable treatment of Native Americans during the 19th century may be inclined to skim these sections, but matters will not improve as Newitz recounts other outrages. They join the steady stream of debunkers of Charles Murray’s The Bell Curve (1994), the bible of scientific racism—though they warn that the audience for deeply satisfying fables is largely impervious to the facts. The author makes a convincing case that the 21st-century epidemic of intolerance, invective, and authoritarian movements is as American as apple pie. In the obligatory how-to-fix-it conclusion, Newitz emphasizes tolerance, agreeing to disagree, and promoting evidence over emotion. They do not ignore traditional pleas to reform public education and the internet, but admit that they haven’t caught on. Searching for alternatives, the author promotes spreading democratic ideals through storytelling in “applied science fiction” or a transformed, “rejuvenated” public library. “When we immerse ourselves in the silence of the library,” writes Newitz, “we learn the most fundamental defense against psyops. Our minds belong to us.”
A cogent history and analysis of today’s toxic national discourse, joining a host of recent titles in a burgeoning genre.