The anguish and horror of genocide arrive with fresh impact in an absorbing personal account.
A Jewish family’s experience across multiple generations, researched by a mother and daughter, shines a spotlight on French antisemitism, both historic and contemporary.
The arrival in 2003 of an unsigned postcard, delivered to her mother Lélia’s postbox in Paris, bearing the names of four family ancestors murdered at Auschwitz, forces Anne Berest properly to consider her Jewish heritage. The result is this autofiction sharing the tragic saga of one branch of her forbears, the Rabinovitches, seeking peace and a safe home in the shifting European landscape of the 20th century. Lélia, who has methodically pieced together the story of her grandparents, now shares it with Anne, starting with Ephraïm and Emma’s marriage in Moscow and the birth of their first child, Myriam, Lélia’s mother, who will be the sole survivor. Two more children, Noémie and Jacques, are born, while the Rabinovitches move, for political reasons, to Latvia, then France. But Ephraïm fails to secure French citizenship for the family, and, as their lives become increasingly circumscribed after the German occupation, first Noémie and Jacques and then the parents are arrested, imprisoned, and slaughtered. Berest’s descriptions of captivity are notably horrific. Years later, as Anne’s child reports antisemitism at school, Anne remembers the postcard and begins a quest to find its author. Now the narrative switches from historical record to detection, involving a private eye and a graphologist, before turning more introspective as it traces Myriam’s experience. Having escaped into the French free zone with her husband, she settles in a remote Provencal cottage, then comes back to Paris and joins the Resistance. As the war ends, she witnesses the return of skeletal survivors from Germany. The story overall is poignant, tense, restless, and ultimately pivotal, as Anne not only solves her mystery, but, more importantly, gains her identity.
The anguish and horror of genocide arrive with fresh impact in an absorbing personal account.Pub Date: May 16, 2023
ISBN: 9781609458386
Page Count: 464
Publisher: Europa Editions
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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