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THE UNDYING

PAIN, VULNERABILITY, MORTALITY, MEDICINE, ART, TIME, DREAMS, DATA, EXHAUSTION, CANCER, AND CARE

Told with brutal clarity, this is a haunting testimony about death that is filled with life.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • Kirkus Reviews'
    Best Books Of 2019


  • Pulitzer Prize Winner

A passionate and eloquent memoir about one woman’s battle with breast cancer.

Award-winning poet and essayist Boyer (Creative Writing/Kansas City Art Institute; A Handbook of Disappointed Fate, 2018, etc.), a single mother living on a tight budget, was diagnosed with highly aggressive breast cancer when she was 41. Her doctor (who she later replaced) said her tumor was “necrotic, which meant that it was growing so quickly it failed to build infrastructure for itself.” He recommended chemotherapy right away. Her treatment with Neulasta cost $7,000 per shot. As the author writes, “someone once said that choosing chemotherapy is like choosing to jump off a building when someone is holding a gun to your head.” Boyer looked for guidance and inspiration from other women artists who suffered from the disease, including Susan Sontag, Alice James, Rachel Carson, Audre Lorde, Fanny Burney, Kathy Acker, and Eve Kosofsky Sedgwick. Boyer kept a journal, a “minor form of reparative magic,” which she abandoned hundreds of times. John Donne’s “sickbed masterpiece,” Devotions Upon Emergent Occasions, written when he thought he was dying, casts an influential shadow over her book. Both have complex structures and are highly meditative, but Boyer’s “exercise in lamentation” is secular where Donne’s was religious. She takes us on a deeply personal journey into “my body in pain,” “eviscerating sadness,” and profound loss—eyelashes, eyebrows, toenails, nerves, brain cells, her hair. “I like wigs,” she writes. “I wear wigs. People I like wear wigs. Dolly Parton wears wigs….Medusa wore a wig made of snakes.” Eventually, Boyer had a double mastectomy. “In the capitalist medical universe in which all bodies must orbit around profit at all times,” she writes, “even a double mastectomy is considered an outpatient procedure.” She learned that everyone lies, from pharmaceutical companies to doctors and researchers and the internet. “Now that I am undying,” she writes, “the world is full of possibility.”

Told with brutal clarity, this is a haunting testimony about death that is filled with life.

Pub Date: Sept. 17, 2019

ISBN: 978-0-374-27934-9

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 8, 2019

Kirkus Reviews Issue: July 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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