by Anne Broyles ; illustrated by K.E. Lewis ; translated by Maru Cortes ‧ RELEASE DATE: Oct. 16, 2017
Fans of uncomplicated, familycentric stories won’t be disappointed.
The adventures of Arturo continue (Arturo and the Navidad Birds, 2013) as he and his grandmother prepare a Salvadoran-style welcome-to-the-family dinner for Tía Inés’ fiance, Michael.
The interaction between Abue Rosa and her young grandson is comfortable and loving as they go about preparing pupusas, stuffed, tortillalike fried corn cakes. Together, they settle on a pickled slaw called curtido, fried plantains, chocolate almond cake, and fruit salad for the menu. Abue sets aside the hot pupusas, complaining of a headache. Instead of taking aspirin and plowing on, she welcomes Arturo’s invitation to lie down for a nap: “Why don’t you rest, Abue?” “Gracias, m’ijo. I will,” she says. “Call me in a few minutes and I will finish cooking.” Adding this smidgen of tension to an otherwise lightweight feel-good tale appears to be this subplot’s sole purpose. And it strains credulity. No nana worth her salt is going to let a headache get in her way when only the pupusas are ready—the curtido alone needs to rest in the fridge a minimum of two hours according to the appended recipe. Needless to say, Arturo’s ingenuity saves the day. He hastily assembles kid-friendly substitutions to the happy amazement of all. Lewis’ warm palette cocoons the characters in manifest familial love. In addition to the recipes and an author’s note, a glossary featuring many Anglicized phonetic pronunciations—“OB-way” for Abue instead of “Ah-bweh”—is included.
Fans of uncomplicated, familycentric stories won’t be disappointed. (Bilingual picture book. 4-7)Pub Date: Oct. 16, 2017
ISBN: 978-1-4556-2283-2
Page Count: 32
Publisher: Pelican
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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