It’s a great narrative, whose savage grandeur holds an undiminished power to enthrall. But is Carson’s unconventional...
The versatile poet and scholar breaks new ground by retelling an old story—the classical tragedy of the House of Atreus, as dramatized by the three greatest tragedians of Athens’s Golden Age.
Acting on a suggestion from a theater director friend, Carson (Grief Lessons, 2006, etc.) offers a sequential version of the often-told tale of murder, betrayal and revenge performed in the aftermath of the Trojan War, in free-verse translations of plays focused on King Agamemnon, his daughter Elektra and her brother Orestes, as told by Aiskhylos, Sophocles and Euripides, respectively. Each is prefaced by Carson’s brief “Introduction.” For example, she points out Aiskhylos’s emphasis on the role of captured Trojan princess Kassandra, who envisions the ruin ensuing from the war and from Agamemnon’s sacrifice of his daughter, which set his queen Klytaimestra onto her murderous path. Though the pace and dramatic momentum of each play never flags, readers may balk at Carson’s employment of conversational, colloquial and often jarringly anachronistic speech. Arresting coinages like “dreamvisible” and (as an adjective) “rawblood,” and superb use of animal imagery (e.g., Kassandra’s characterization of Agamemnon’s murderess as “a soft lion [that] tumbles in the master’s bed/awaiting him”), jostle with reductive language that labels the temptress Helen “that weapon of mass destruction” or permits a terrified slave to warn of “real bad shit happening.” Nevertheless, the lethal velocity of “Agamemnon,” the arc of guilt and doom that courses throughout “Elektra,” even the Euripidean melodrama of the ferocious closure enacted in “Orestes”—all grate on the reader’s nerves with unflinching intensity.
It’s a great narrative, whose savage grandeur holds an undiminished power to enthrall. But is Carson’s unconventional conflation of its components indeed “an Oresteia” for our time? That’s another story.Pub Date: March 24, 2009
ISBN: 978-0-86547-902-9
Page Count: 272
Publisher: Faber & Faber/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2009
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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