Veteran celebrity-biographer Edwards (Wallis, 1991, etc.) does her best with Prince Rainier and his ancestors, but the Grimaldis as a dynasty seem more bent on survival than on cutting a heroic figure. Europe's oldest dynasty was founded in 1215, when wealthy Genoese merchant Rainier Grimaldi established a fortress on the rock that was to become the heart of the principality. The place was soon under siege from a rebellious nephew; and during subsequent centuries the rulers of Monaco have had to contend with threats from family members, neighboring France and Italy, and magnates like Aristotle Onassis. The Grimaldis also once held the title of ``prince of France,'' which endowed the family with great prestige and proved especially useful during those centuries when marriage to a very rich woman was the only form of respectable entrepreneurship open to improvident aristocrats. As absentee landlords who preferred to live in Paris, the Grimaldis neglected Monaco itself—that ``sunny place for shady people,'' as it was once described by Somerset Maugham. Not until a Princess Caroline of the mid-1800's had the brilliant idea of building a casino did the principality become wealthy and self-supporting—though this solution wasn't exactly approved of by such people as Queen Victoria, who refused to visit the Grimaldis in their palace. Extravagant and apparently prone to making bad judgments (Prince Rainier's grandfather saved the family and his fortune by collaborating with the Nazis) and bad marriages (Edwards excepts the marriage to Grace Kelly), the family has lurched from one scandal and financial disaster to another, though Edwards feels that the present prince, decent and well-intentioned, is doing good things for his family and country. Competently written and researched, but, apart from the Grace Kelly years, the Grimaldis come off here as a rather shabby and dull lot. (B&w photos—48—not seen.)
Pub Date: Sept. 11, 1992
ISBN: 0-688-08837-6
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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