edited by Anne Fadiman ‧ RELEASE DATE: Oct. 10, 2003
Maybe Dave Eggers is skimming off all the out-there material for Best American Nonrequired Reading (p. 1033); at any rate,...
The venerable series becomes, essentially, a bound edition of the New Yorker.
In the past, the sober jacket of Best American Essays has more often than not been misleading, failing to attest to its diverse and sometimes simply strange contents. The 2003 edition, however, is somewhat of an exception. That’s not to say there’s anything necessarily wrong with the work collected here, just nothing to really knock your socks off. Emblematic of what’s both good and bad about the anthology is “I Bought a Bed,” Donald Antrim’s essay from the New Yorker (as 8 of the 24 pieces here are). It’s a nifty piece that delineates his increasingly obsessed search for the perfect bed and explains how that search tied into his relationship with his girlfriend, his mother’s death, and so on. The writing is self-deprecating, witty, and informative, but in the end it’s still just an article about looking for a bed. There are a few more sprightly items, such as Caitlan Flanagan’s Atlantic Monthly review of Christopher Byron’s biography of Martha Stewart. At a length critics are rarely permitted anymore, Flanagan shows Byron’s book, by point after shrewdly argued point, to be a faux-populist, witch-hunting slab of bile. By nature the essay form (and by extension this series) tends toward the mundane and nitpicky, but there are exceptions here, the best being Ben Metcalf’s “Wooden Dollar” from Harper’s. It savagely deconstructs the myth of Sacajawea, as seen through the dollar coin that bears her monumentally incorrect visage, and bears rereading many times over.
Maybe Dave Eggers is skimming off all the out-there material for Best American Nonrequired Reading (p. 1033); at any rate, this year’s model could use a little more variety and excitement.Pub Date: Oct. 10, 2003
ISBN: 0-618-34160-9
Page Count: 368
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2003
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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