by Anne Frank ; adapted by Ari Folman ; illustrated by David Polonsky ‧ RELEASE DATE: Oct. 2, 2018
A different format distills and renews Frank’s achievement.
An illustrated abridgement of the Nazi-era classic.
Anne Frank (1929-1945) as graphic-history heroine? Adapter and composer Folman and illustrator Polonsky (Animation and Illustration/Bezalel Academy of Arts and Design) worked together on the Oscar-nominated animated documentary Waltz with Bashir. According to Folman, they were approached by the Anne Frank Foundation about adapting the diary into both “an animated film for children” and a graphic novel that would introduce it to a new generation of readers. He then faced a “significant challenge”—to render the whole diary in graphic form might take a decade to complete and some 3,500 pages, while a more manageable “edit” could feature only 5 percent of the original text. Though he opted for the latter course, the abridgment retains the spirit of the whole as the perceptive and increasingly self-aware teenager navigates the usual tensions of adolescence—puberty, romance, family issues—within a nightmarish retreat from the Nazi atrocities intensifying outside their secret hideout. She feels guilty about any everyday cheerfulness she experiences in the face of so much death and destruction, and she succumbs to bouts of depression despite her typical resilience. “Even deep sleep brings no redemption,” she writes. “The dreams still creep in.” Those dreams bring out the best of the illustrations amid the depictions of the everyday confinement in which Anne, her family, and others are hiding. They were captured toward the end of the war, after the end of the diary, when the gas chambers were on the eve of being dismantled. Though she wasn’t aware of her fate, Anne writes with much awareness of not only herself, but a potential readership, with the literary aspirations of someone who feels she has “one outstanding character trait…a great deal of self-knowledge. In everything I do, I can watch myself as if I were a stranger.”
A different format distills and renews Frank’s achievement.Pub Date: Oct. 2, 2018
ISBN: 978-1-101-87179-9
Page Count: 160
Publisher: Pantheon
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
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SEEN & HEARD
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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BOOK REVIEW
by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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