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THE WHOLE TRUTH ABOUT SANTA CLAUS

So charmingly offbeat that readers who still believe should survive their initial disappointment. (iPad holiday app. 7-9)

No sleigh, no reindeer, no elves, no North Pole, not even a beard. Santa’s actually a construction worker named Fred.

Read in a decidedly pointed manner—“They say that no one has ever seen him. Do you believe all that?”—by a British narrator (there is also an option for French), this exposé dismisses all the Santa mythology. It goes on to explain how Fred leads a host of friends in gathering funds and Christmas gifts on weekends and holidays all year to distribute by bus. Why? Because he likes to give presents to people and watch their faces light up. Along with various low-rent animations and tap-activated sound effects, the retro-style illustrations offer views of a multicultural cast of “helpers” with names like Nouara and Karim pitching in as the holiday season approaches. Fred himself dresses in red for department-store gigs (“because being a fake Santa Claus is a good way to make money”) and jingles not bells but the set of master keys he uses to sneak into your house on Christmas Eve. That last bit seems a bit off-kilter, but giving over Santa’s annual role to good-hearted “ordinary people living in ordinary places” is at least somewhat closer to reality.

So charmingly offbeat that readers who still believe should survive their initial disappointment. (iPad holiday app. 7-9)

Pub Date: Nov. 9, 2012

ISBN: N/A

Page Count: -

Publisher: La Souris Qui Raconte

Review Posted Online: Dec. 2, 2012

Kirkus Reviews Issue: Dec. 15, 2012

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DOG MAN

From the Dog Man series , Vol. 1

What a wag.

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What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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