Endearing characters carry a sinuous story of family bonds.
A panoramic novel tracing generations of the Gannon family illuminates the aftershocks of war in the 20th century.
When Michael Gannon, war hero and devout Catholic, husband to Barbara, father to Mike Jr., Luke, Francis, Patty Ann, and soon-to-be Sissy, dies on the front lawn of their yellow house in California, Barbara must learn to manage their lives without him. Predominately following Barbara and Francis, the novel ranges from 1962 to 2015; chapters sometimes jump months, other times decades, to offer snapshots of the family’s progression. Barbara is remarried to Ronnie, a kind and loving but sexually evasive man. To save him from the draft, Patty Ann marries her high school boyfriend, a ne’er-do-well drug dealer, who leaves her with three children. When the situation becomes overwhelming, Barbara and Ronnie become legal guardians to Kennedy, Patty Ann’s eldest son, and care for him even after her third marriage reinstates some stability. After the horrors of losing his father and then his lifelong best friend, Eugene, who killed himself, Francis is relentlessly on the run. But a transformative experience on a boat halfway between Ireland and Scotland leads him to write a hit song and retire, with his fragile wife, to a maple syrup farm in the hills between Massachusetts and Vermont. Characters are occasionally lost in the expanse—Patty Ann’s other children are merely mentioned; we learn in passing that after a military stint, Mike Jr. ends up a doctor in Texas; Sissy has disappeared to Africa. Most important to Korkeakivi (An Unexpected Guest, 2012), it seems, is to communicate the damage war causes, not just physically and not just to soldiers, but emotionally and to families and communities everywhere. This damage underpins the novel; Luke is killed training for Vietnam, and the men who do return from battle do so with injuries that ultimately kill them—Michael’s weakened heart, Eugene’s psychological trauma. Everything works out a little too beautifully—despite the war-induced deaths—tipping the novel somewhat toward the maudlin, its moral toward platitudinous: “The thing about life is it is so damned confusing. Such a web, each piece of it dependent on something else, something that can be as tiny as a smile from a stranger or as huge as heart disease. The good all tangled up with the bad.” Even so, the effortless prose and vining plot make for a winsome tale of kinship and growth.
Endearing characters carry a sinuous story of family bonds.Pub Date: Aug. 9, 2016
ISBN: 978-0-316-30784-0
Page Count: 288
Publisher: Little, Brown
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."
Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.
In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.
Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."Pub Date: Oct. 8, 2019
ISBN: 978-0-316-43557-4
Page Count: 352
Publisher: Little, Brown
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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