by Anne Lamott ‧ RELEASE DATE: Nov. 13, 2012
Though fans may be dismayed at the brevity of the book, there’s more here than meets the eye.
A refreshingly simple approach to spiritual practice in a pint-sized reflection on prayer.
As the title of her book implies, Lamott (Some Assembly Required: A Journal of My Son’s First Son, 2012, etc.) has taken an enormously complex and often debated topic and boiled it down to three basic elements that transcend doctrine or creed. Though in her previous books the author has been forthright about her Christianity, here she begins with a prelude that assures readers she’s not even remotely interested in trying to tell them who or what God is; she’s simply asking them to consider that there’s a Divine Being willing to run the show. How is one to get that process going? Prayer. More specifically, Lamott touts the spiritual power in powerlessness, gratitude and wonder. The three sections of the book aren’t solely about each one-word prayer; they’re more a running conversation about their collective influence in her life. “Help” is a complete prayer, writes Lamott, and uttering it creates space for solutions that humans have neither thought of nor could pull off on their own. In what at first may seem like a jumbled mashup of stories and reflections, Lamott manages to deftly convey the idea that in trying to control things, we’ve largely lost our ability to see the good and the miraculous in everyday life. And those commodities go a long way, she writes, in terms of making a Divine connection that brings a measure of hope and peace.
Though fans may be dismayed at the brevity of the book, there’s more here than meets the eye.Pub Date: Nov. 13, 2012
ISBN: 978-1-59463-129-0
Page Count: 112
Publisher: Riverhead
Review Posted Online: Sept. 14, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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