A pale companion piece to Operating Instructions.
Being a grandparent is harder than it looks.
Such is Lamott’s (Imperfect Birds, 2010, etc.) message in this angst-ridden, occasionally neurotic diary of her grandson’s first year. After gaining a large audience for Operating Instructions (1993), which chronicled her son Sam’s first year of life, the author sets out to do the same after Sam became a father at age 19. Sam and erstwhile girlfriend Amy are parents to a healthy baby boy named Jax. In nearly daily entries, Lamott shares details of her life beginning with Jax’s first full day after birth. Filled with a variety of characters—Sam, the young father in over his head; Amy, the beautiful mother whose strength Lamott seems to envy; Jax, the almost-perfect baby; various friends and family—the book is mostly about the author and her seething river of insecurities and anxieties. At nearly every turn, Lamott comes up with some new thing to worry about, a new facet of herself to loathe or a new characteristic of those close to her to deride and belittle. She struggles constantly with boundaries as a grandmother, and she bemoans her lack of control over situations. Another source of near-constant anxiety is the prospect of Amy moving away with Jax. Other fears are less grounded in reality: “I have these morbid, terrifying fantasies—but I had the same ones before Jax was born, that the baby would die and Sam would commit suicide.” Eventually readers will grow tired of the author’s angst, self-doubt and general negativity.
A pale companion piece to Operating Instructions.Pub Date: March 20, 2012
ISBN: 978-1-59448-841-2
Page Count: 288
Publisher: Riverhead
Review Posted Online: Feb. 5, 2012
Kirkus Reviews Issue: Feb. 15, 2012
PROFILES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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