by Anne Laurel Carter & illustrated by Joanne Fitzgerald ‧ RELEASE DATE: Oct. 1, 2002
What’s a boy to do when his mother is a trapeze artist, she practices in the living room, and all he wants to do is watch TV with his friends? “Everyone calls my house The Big Top,” Carter (Under a Prairie Sky, not reviewed, etc.) begins. “Kids knock at the window, wanting to play. Today it’s Dan and Nisha, little Stuie holding his bear.” Fitzgerald’s (The Little Rooster and the Diamond Button, 2001, etc.) expressive watercolor vignettes depict the neighbor children with wide eyes; when they join the boy narrator in the living room, they look a little nervous. Meanwhile, the boy sits staring at the set. “Why can’t I have an ordinary mom?” he wonders as the children watch his mother’s moves. Despite her larger-than-life presence, Fitzgerald shows the mother only in shadow, inviting readers to imagine the graceful shapes she takes on her swing above the sofa. She comes into full view—albeit in the background—when the children discover the boy’s “Circus Costume Box,” and are transformed, literally, into an elephant, lion, and lion tamer. A series of wordless double-paged spreads depict the trio in action. However, the boy is transformed as well. While he initially opts out, he joins in the activity when he hears the children’s blasphemous plan to enter outer space (“A circus has cannons, not rocket ships”), upholding the integrity of the family business. The first-person perspective makes the telling slightly awkward, but the story may resonate with children who feel set apart from their peers, especially with an offbeat parent. (Picture book. 4-8)
Pub Date: Oct. 1, 2002
ISBN: 1-55143-225-0
Page Count: 32
Publisher: Orca
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
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by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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