AN OPEN DOOR

A woman in 1948 New York City tests the waters of personal independence.

At the opening of Parrish’s novel, a young woman named Edith Sloan is working as a typist in New York, staying with her aunt Margaret, and keeping up a steady correspondence with her law student husband, Walter, who’s at Harvard Law School on the GI Bill. Edith is away from her husband but she’s hardly miserable: She has a job, complete independence, and loves living and bantering with her free-spirited aunt. Edith originally left Walter amicably enough, but the letters from him and his parents (and her own folks) urging her to return to Cambridge and the marriage have become increasingly imploring. Eventually, grudgingly, she decides to leave her life in New York and attempt to become Walter’s idea of a dutiful wife in Massachusetts as he finishes his studies and seeks to become a successful lawyer. This works about as well as readers might expect, and along the way, Edith must also deal with the worsening illness of her stern father and the not-so-subtle condescension of her new peers in Cambridge. Parrish employs a wonderfully light touch throughout these stories of Edith’s adventures, always drawing readers right up to the brink of a flat realization about some situation and then pulling back and letting them step into it themselves. Although Edith is a consistently well-realized and enjoyable character in her own right, another of the book’s strengths is the understated way the author makes Walter the stand-in for an entire generation that expressed offhand sexism. He cluelessly tells Edith, for instance, that he admires her compassion––it’s a beautiful trait in a woman and suggests “the loving mother she would eventually become,” casually adding, “Every woman wants to be a mother.” (He even tells Edith she should ignore book reviews, the clod.) Readers will be quietly cheering for Edith to conquer all.

An adroit, dry-witted tale about a strong-willed woman trying to live her life.