This first book, a story collection showing immense mastery of character, dialect, and narrative, won the 1993 Elmer Holmes Bobst Award for Emerging Writers. Born in Fresno, California, Marsella lives in Paris and writes largely about people of the underclasses or Third World, men and women from places like Chile, Nigeria, Istanbul, Morocco, and Mexico, slipping like a cat into myriad psyches and argots. Though she writes usually in a voice mirroring that of her characters, she fears no oddity of language, coming up with nutty tidbits that drive you to the dictionary. (When did you last use nimiety, embrangle, emulous, or partible?) In ``Miss Carmen,'' a Chilean woman arrives ``in the Valley of San Joaquin'' in California, gets a job polishing silver for a rich woman, gets a crush on a Mexican foreman but loses him, perhaps through her own small-minded pride. In ``The Roommates,'' Mary, a big, lanky girl from Kenya, shares a room in Paris with Selma from Istanbul, then with Selma's lover, a Greek sweatshop foreman who also happens to be their married boss, and finally, after two years, abandons the dominating Selma to go live with an albino English gentleman in London. In ``Testimony,'' a Hispanic priest falls obsessively in love with his seminary's young atheist gardener and finds himself driven into invisibility, or so he thinks, as day by day his own body parts begin disappearing. In the comic title story, an unmarried Mexican woman living in Paris works for four years as a hired clapper for TV's ``Objets TrouvÇs'' (or ``The Lost and Found Show''), seeks her lost father through the personals, and, after she's betrayed by St. Jude, patron saint of the hopeless, finds herself instead. Distinguished indeed. May Marsella take on the novel.
Pub Date: April 15, 1994
ISBN: 0-8147-5502-X
Page Count: 200
Publisher: New York Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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