Dialogue-soggy, overcute, featherweight YA space-opera, a mix of light fantasy with coming-of-age themes about social...
The YA adventures of the girl with the unicorn horn sticking out of her head continue (Acorna’s World, 2000, etc.), as the telepathic Acorna, her traumatized “life-mate” Aari, and others on two and four legs to heal their shattered homeworld. Having vanquished those nasty Khleevi bugs and put Aari on the road to recovery (a tiny, inch-long horn is growing out of his forehead), the Linyaari, the psychic humanoid crossbreed with unicorns, return to Planet Vhiliinyar and find an ecological disaster of fetid swamps, polluted streams and carnivorous plants that nearly devour the feisty cat Roadkill. The Linyaari are considering a big loan from the wealthy, somewhat untrustworthy Hafiz Harakamian in order to terraform their world back to what it was before the Khleevi ruined it. While taking preliminary surveys, a handful of Linyaari, including Aari, vanish mysteriously. Acorna and friends consult their four-legged unicorn ancestors, who show them fragile hand- (hoof?-) written records, and drop enigmatic hints that imply that these disappearances might have to do with a hidden cave carved out by the Ancestor Friends, who originally rescued the unicorns from Earth and brought them to Vhiliinyar. With the help of the loquacious android Mac (who has outfitted himself with a series of mechanical horns), Acorna discover the cave, which is filled with old carvings and lined with a substance that dampens communication gear. One of the missing Linyaari turns up, but before Acorna can find out more about what happened, she and her explorers are menaced by a pair of bear-like “hairy monsters.” The cave leads to an ancient buried city that predictably reveals secrets about the Linyaari past, adds an ethical complication to the terraforming question, and includes additional plot threads for the next installment.
Dialogue-soggy, overcute, featherweight YA space-opera, a mix of light fantasy with coming-of-age themes about social responsibility and solemn respect for elders.Pub Date: Jan. 15, 2002
ISBN: 0-380-97898-9
Page Count: 320
Publisher: Eos/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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