Rice has recovered from some gaily slipshod work, but this feels first-draftish, as if e-mailed straight to the printer...
The Queen of the Vampires offers one of the more wobbly works in the Vampire Chronicles.
After a 40-page opening of heavy exposition (a glance backward that adds little but reminds us of the major players), the big attraction here is the return of gorgeous baby vamp Claudia, the 70-year-old in a 7-year-old’s body, cremated a quarter-century ago in Interview with the Vampire (1976). Lestat also returns, though, sadly, Rice keeps these two lively creations offstage until the end. Again set in New Orleans, Merrick tells of octoroon Merrick Mayfair, an orphan raised among voodoo folks but now taken under the wing of David Talbot of the Talamasca, an ancient order of psychic scholars, so her powers of witchcraft might be studied. We follow her through her first 34 years as the Talamasca’s top scholar and earner while Lestat goes comatose but for the joys of his Mozart CDs. Ravishingly handsome Louis de Pointe du Lac, his closest companion, worries that Lestat blames himself for Claudia’s death and that her spirit is in torment. Louis wants Talbot to have Merrick use her magic to bring back Claudia and free Lestat from his torpor—but first Talbot must take Merrick to a lost Guatemalan temple to recover a jade mask for this purpose. Talbot, at 75, had an affair with young Merrick, but because Lestat won’t make Merrick a vampire, Talbot sees their love as doomed. Then Merrick seemingly falls for Louis—but Louis won’t give her the Dark Gift either and lead her into Lestat’s coven. Rice whets our appetite for the wondrously seductive child, Claudia, then, to delay satisfaction, offers us Merrick’s childhood and young womanhood instead. But when Claudia does show up and Lestat awakes, both are minor figures in a thickly descriptive tapestry that engages only in bursts.
Rice has recovered from some gaily slipshod work, but this feels first-draftish, as if e-mailed straight to the printer without a second thought, while the arch dialogue already feels a hundred years old.Pub Date: Oct. 19, 2000
ISBN: 0-679-45448-9
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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