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ISLANDS

The inconsistency in tone at the close is disappointing, though fans will welcome yet one more exploration of American...

Old South sensibilities, sparkling Charleston, and a group of aging socialites—all merge with an unshakable love for the land.

At 35, Anny Butler is semi-committed to singlehood, happy with her job helping disadvantaged children (she’s had plenty of experience, having raised her siblings while her mother drank away the days). That is, until she meets Dr. Lewis Aiken. Though both are Charleston natives, they may as well have come from separate worlds: Lewis had a boyhood of beach houses, a youth of cotillions, marriage to a beautiful, fussy wife, and weekends at the yachting club. Now divorced, popular Lewis sweeps Anny off her feet, and soon the new Mrs. Aiken meets the Scrubs. Lewis, Henry, Camilla, and Lila have been friends since their blue-blooded childhood; now nearing 50, they share (spouses come along) the beach house that they’ve been visiting all their lives. The Scrubs (they all have some connection to medicine) welcome Anny, and the years pass in an idyllic camaraderie (particularly poignant are Anny’s reveries about the Carolina Low Country). Wealthy and pleased with themselves, the eight flit from the shared beach house to their city mansions and their old plantation homes, while occasionally doing some good charitable work. This tour of the lifestyles of the rich and unfamous holds a certain prurient interest, and, thankfully, Siddons’s talent makes down-to-earth Anny’s narrative likable enough despite strangely unsympathetic people (they’re snobs, with antiquated ideas about race). As the years progress, tragedy threatens the unity of the group as they begin succumbing to both natural and unnatural deaths. But the indomitable (if not very nice) Camilla holds them together until the end, when the tale switches to a burning southern gothic replete with insanity, a faked illness, secret diaries, unrequited passion, and murder by fire.

The inconsistency in tone at the close is disappointing, though fans will welcome yet one more exploration of American southern life á la Siddons (Nora, Nora, 2000, etc.).

Pub Date: April 9, 2004

ISBN: 0-06-621111-5

Page Count: 384

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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