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ART AND MADNESS

A MEMOIR OF LOVE WITHOUT REASON

A sharp, graphic potrayal of bohemian times that thoughtfully reveals the young woman the author once was.

A crafty, veteran novelist and memoirist (Epilogue, 2008, etc.) recalls her coming-of-age as a sexy smarty-pants.

Roiphe effectively evokes the atmosphere in which a clever, pretty Jewish girl from Park Avenue might aspire to have it all, particularly if she was ready to provide whatever a needy poet, painter or playwright yearned for at the moment. Art, literature, rebellion and angst—that was life. Fresh from the sisterhood of Smith College, the author landed directly in the hot intellectual dormitory that was midcentury New York City. It was a world in which Arthur Kopit and Jack Gelber heatedly discussed Samuel Beckett and Jean Genét, where Terry Southern debated, where George Plimpton held court. Mailer and Styron were there, too. (The author notes that some names are changed in the interest of privacy). The nubile author’s postgraduate education in the arts featured encounters, frequently in bed, with such lubricious artistic teachers. They were famous and unknown, wealthy and poor, struggling aspirants and swindling liars, gay, straight, bisexual, soaked in alcohol and mostly oversexed. Roiphe discusses the awkward loss of her virginity and subsequent marriage to a feckless, failed poet and playwright. She eventually had a child and remarried. In the mob of self-centered tricksters, all she wanted was to be a writer, and she succeeded quite pleasingly. The foreword is provided by journalist daughter Katie, who writes that “this book is the record of an idea as it moves through a life: the idea is the supreme and consuming importance of art.”

A sharp, graphic potrayal of bohemian times that thoughtfully reveals the young woman the author once was.

Pub Date: March 15, 2011

ISBN: 978-0-385-53164-1

Page Count: 208

Publisher: Nan A. Talese

Review Posted Online: Dec. 2, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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