by Anne Tyler & illustrated by Mitra Modarressi ‧ RELEASE DATE: Sept. 1, 2005
Young Timothy Tugbottom doesn’t like change. He emphatically states, “I don’t like DIFFERENT.” Timothy will only wear his old and faded favorite pants even though his new pants have six and a half pockets. He won’t exchange his morning cereal for blueberry muffins. He is definitely not going to sleep in his big-boy bed when his crib is so warm and safe. Even his friend’s birthday party seems daunting. Timothy should soon get used to change, though, because while it isn’t stated, it’s clear from the illustrations that his mother is pregnant. Moreover, he does get used to it. Fast. Overnight in fact. After spending a cramped night in his crib, Timothy decides to don those new pants and try that muffin. He even gives the big-boy bed a whirl. The artwork is lively and the colors are varied and softened as though viewed through frosted glass. The sudden transformation in Timothy may seem unrealistic, but youngsters who resist change will find a good example and a peer in this celebrated novelist’s latest work for children. (Picture book. 2-5)
Pub Date: Sept. 1, 2005
ISBN: 0-399-24255-4
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
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by Anne Tyler & illustrated by Mitra Modarressi
by Audrey Penn ; illustrated by Barbara L. Gibson ‧ RELEASE DATE: April 1, 2014
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
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by Audrey Penn ; illustrated by Barbara L. Gibson
by Audrey Penn & illustrated by Barbara L. Gibson
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by Audrey Penn ; illustrated by Barbara L. Gibson
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by Audrey Penn ; illustrated by Mike Yamada
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by Audrey Penn & illustrated by Barbara L. Gibson
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
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by Chloe Perkins ; illustrated by Archana Sreenivasan
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