An imaginative chromatic fantasy with an altruistic conclusion.
In a style resembling a creation myth, Guertin describes how animals got their colors.
A quasi-biblical downpour concludes with a shimmering rainbow, which imparts color to all the animals in its path. The language is poetic: “The fish in the ocean waters glinted silver, violet, and aquamarine. The yellow duck paddled in the sapphire blue of the pond. And the red fox scurried through the amber forest.” Great Bird, ruler of the bird kingdom, begs Rainbow to color him, and “with one swift kiss, she turned Great Bird from gray to shimmering gold.” All the other birds jostle to be colored by the rainbow. One by one, Parrot, Cardinal, Blue Jay, Canary, and all the other birds are appropriately colored. As the colors begin to run out, Great Bird notices a small Gouldian finch (a rare Australian finch) who is still uncolored. It turns out the finch was too polite and waited too long, until the colors had been given to the more acquisitive fowl. Rainbow’s solution? With their agreement, she gathers a splash of color from each of the birds, and Gouldian Finch is magically transformed into his true rainbow-colored splendor. Pérez García adopts a folk-art style to complement the story, which is based on a Belgian folk tale, flat perspectives and stylized shapes evoking European decorative motifs.
An imaginative chromatic fantasy with an altruistic conclusion. (Picture book. 4-8)Pub Date: March 6, 2018
ISBN: 978-1-945547-77-5
Page Count: 32
Publisher: Familius
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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