by Annemarie Guertin ; illustrated by Helena Pérez García ‧ RELEASE DATE: March 6, 2018
An imaginative chromatic fantasy with an altruistic conclusion.
In a style resembling a creation myth, Guertin describes how animals got their colors.
A quasi-biblical downpour concludes with a shimmering rainbow, which imparts color to all the animals in its path. The language is poetic: “The fish in the ocean waters glinted silver, violet, and aquamarine. The yellow duck paddled in the sapphire blue of the pond. And the red fox scurried through the amber forest.” Great Bird, ruler of the bird kingdom, begs Rainbow to color him, and “with one swift kiss, she turned Great Bird from gray to shimmering gold.” All the other birds jostle to be colored by the rainbow. One by one, Parrot, Cardinal, Blue Jay, Canary, and all the other birds are appropriately colored. As the colors begin to run out, Great Bird notices a small Gouldian finch (a rare Australian finch) who is still uncolored. It turns out the finch was too polite and waited too long, until the colors had been given to the more acquisitive fowl. Rainbow’s solution? With their agreement, she gathers a splash of color from each of the birds, and Gouldian Finch is magically transformed into his true rainbow-colored splendor. Pérez García adopts a folk-art style to complement the story, which is based on a Belgian folk tale, flat perspectives and stylized shapes evoking European decorative motifs.
An imaginative chromatic fantasy with an altruistic conclusion. (Picture book. 4-8)Pub Date: March 6, 2018
ISBN: 978-1-945547-77-5
Page Count: 32
Publisher: Familius
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Annemarie Guertin ; illustrated by Helena Pérez García
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Randall de Sève ; illustrated by Carson Ellis
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by Mac Barnett ; illustrated by Carson Ellis
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by Carson Ellis ; illustrated by Carson Ellis
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by Katie Weaver ‧ RELEASE DATE: July 16, 2024
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
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In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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illustrated by Katie Weaver by Katie Weaver
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by Cindy Ninni Grant ; illustrated by Katie Weaver
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