by Annette Bay Pimentel ; illustrated by Madison Safer ‧ RELEASE DATE: June 6, 2023
Lyrical notes add wonder to a bright mix of creative arts and scientific fact.
How the hues that bring art and fabrics to life are made and used.
“BEFORE COLORS, blue gum trees swelter in the sun. Someone strips off leaves and boils them. She is making…ORANGE.” Sticking largely to colors produced from natural sources—with nods to a few manufactured hues such as mauve and the recently discovered “Vantablack”—Pimentel deftly describes how each in turn is derived, usually from multiple plants native to diverse regions of the world, from minerals, animal products, or other materials, like ground-up mummies for “mummy brown.” She enriches each entry with specific examples of its uses, with notes on topics from mordants to Vincent van Gogh’s fondness for various shades of yellow and the work of modern Indonesian artist Iwan Tirta in reviving batik. She mixes in more general considerations of the science of vision, too, such as how direct light rays and reflected ones produce different “primary” colors and how colors are differently perceived and classified in different cultures. Along with precisely drawn botanical and mineralogical vignettes, Safer underscores the author’s global perspective with frequent full-page scenes of artists and dyers, mostly women and often with children in attendance, linked by dress or surroundings to a broad range of times and cultures.
Lyrical notes add wonder to a bright mix of creative arts and scientific fact. (activities, quotation sources, selected sources) (Nonfiction. 9-12)Pub Date: June 6, 2023
ISBN: 9781419757068
Page Count: 88
Publisher: Abrams
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
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edited by Mayim Bialik ‧ RELEASE DATE: Feb. 2, 2021
Contentwise, an arbitrary assortment…but sure to draw fans of comics, of science, or of both.
Flash, Batman, and other characters from the DC Comics universe tackle supervillains and STEM-related topics and sometimes, both.
Credited to 20 writers and illustrators in various combinations, the 10 episodes invite readers to tag along as Mera and Aquaman visit oceanic zones from epipelagic to hadalpelagic; Supergirl helps a young scholar pick a science-project topic by taking her on a tour of the solar system; and Swamp Thing lends Poison Ivy a hand to describe how DNA works (later joining Swamp Kid to scuttle a climate-altering scheme by Arcane). In other episodes, various costumed creations explain the ins and outs of diverse large- and small-scale phenomena, including electricity, atomic structure, forensic techniques, 3-D printing, and the lactate threshold. Presumably on the supposition that the characters will be more familiar to readers than the science, the minilectures tend to start from simple basics, but the figures are mostly both redrawn to look more childlike than in the comics and identified only in passing. Drawing styles and page designs differ from chapter to chapter but not enough to interrupt overall visual unity and flow—and the cast is sufficiently diverse to include roles for superheroes (and villains) of color like Cyborg, Kid Flash, and the Latina Green Lantern, Jessica Cruz. Appended lists of websites and science-based YouTube channels, plus instructions for homespun activities related to each episode, point inspired STEM-winders toward further discoveries.
Contentwise, an arbitrary assortment…but sure to draw fans of comics, of science, or of both. (Graphic nonfiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-77950-382-4
Page Count: 160
Publisher: DC
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Jonah Winter ; illustrated by Jeanette Winter ‧ RELEASE DATE: March 31, 2020
Like oil itself, this is a book that needs to be handled with special care.
In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.
The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?
Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)Pub Date: March 31, 2020
ISBN: 978-1-5344-3077-8
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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