BEFORE COLORS

How the hues that bring art and fabrics to life are made and used.

“BEFORE COLORS, blue gum trees swelter in the sun. Someone strips off leaves and boils them. She is making…ORANGE.” Sticking largely to colors produced from natural sources—with nods to a few manufactured hues such as mauve and the recently discovered “Vantablack”—Pimentel deftly describes how each in turn is derived, usually from multiple plants native to diverse regions of the world, from minerals, animal products, or other materials, like ground-up mummies for “mummy brown.” She enriches each entry with specific examples of its uses, with notes on topics from mordants to Vincent van Gogh’s fondness for various shades of yellow and the work of modern Indonesian artist Iwan Tirta in reviving batik. She mixes in more general considerations of the science of vision, too, such as how direct light rays and reflected ones produce different “primary” colors and how colors are differently perceived and classified in different cultures. Along with precisely drawn botanical and mineralogical vignettes, Safer underscores the author’s global perspective with frequent full-page scenes of artists and dyers, mostly women and often with children in attendance, linked by dress or surroundings to a broad range of times and cultures.

Lyrical notes add wonder to a bright mix of creative arts and scientific fact.