by Annette Langen & illustrated by Frauke Bahr ‧ RELEASE DATE: Sept. 1, 2010
Craziness ensues when a girl lets her locks grow wild. Don't be deceived by the serene smile on little Tanya's face. There are many things she doesn't want to do, and she'll certainly tell you, "I WON'T!" Foremost is combing her hair, which resembles a bushy, brown lion's mane. One day, a small bird lands on the crown of Tanya's head. Another follows, and, before long, there's a nest with five eggs that hatch into chicks. Tanya's careful not to disturb them, and she even hunts for worms. When trees start to grow, though, and jungle animals hiss and screech and growl, she's had enough. She brushes and brushes and brushes until all the knots and tangles (and creatures) are gone. Tanya now has a new problem: She can't settle on a style for her lovely locks. The breezy Mrs. Piggle-Wiggle–esque lesson is much aided by Bahr's illustrations, which make Tanya's hair, simultaneously wild and beautiful, the most vibrant component of every picture. Tanya looks to be biracial, too—an added plus. The lenticular optical-illusion cover is a bonus treat. (Picture book. 3-6)
Pub Date: Sept. 1, 2010
ISBN: 978-0-7358-2315-0
Page Count: 32
Publisher: NorthSouth
Review Posted Online: July 29, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Chloe Perkins ; illustrated by Archana Sreenivasan
by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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by Julia Donaldson ; illustrated by Catherine Rayner
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by Julia Donaldson ; illustrated by Axel Scheffler
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by Julia Donaldson ; illustrated by Axel Scheffler
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SEEN & HEARD
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