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MURDER ME NOW

Bunny Wilson, author of the infamous essay “Who Cares Who Killed Roger Ackroyd?,” is probably spinning in his grave at being...

Madcap Greenwich Village poet Olivia Brown (Free Love, 1999), omnipresent cigarette in one hand and bottle of bootleg gin in the other, joins Vanity Fair editor Edmund (Bunny) Wilson and his date Daisy, aspiring novelist Dave Wolfe, gorgeous Paulo Ewing, and her tenant, superbrain private detective Harry Melville, for a house party at the Croton digs of Fordy and Kate Vaude, only to have their fun disrupted when the Vaude nanny, Adelle, is found hanging from a tree branch. Suicide? Not likely. Adelle turns out to have recently left the employ of the Pinkerton Detective Agency. Who was she snooping for at the Vaudes? Olivia and Harry drink more gin, visit some speakeasies (where Olivia catches the eye of notorious gangster Monk Eastman), and bump up against an investigation mounted by detective Lester Nolan, who hints that the Secret Service is involved; that Adelle and Daisy were sisters; and that Fordy's frequent trips to Rome were suspect. After a poetry reading at Yale, Olivia discovers a tell-all photograph that explains several relationships, but not before the Hudson Dusters, a scruffy band Harry uses for legwork, have to rescue her from the dreaded Black Hand, a villainous gang that has already slit the tongues—and worse—of two of their enemies.

Bunny Wilson, author of the infamous essay “Who Cares Who Killed Roger Ackroyd?,” is probably spinning in his grave at being used as a character in a mystery. For the rest, Olivia is adorable, the ’20s do roar with authenticity, and the plot bumbles in and out of potholes with Meyers’s usual disregard for subtlety.

Pub Date: Jan. 3, 2001

ISBN: 0-89296-695-5

Page Count: 290

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE LIFE WE BURY

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous...

A struggling student’s English assignment turns into a mission to solve a 30-year-old murder.

Joe Talbert has had very few breaks in his 21 years. The son of a single and very alcoholic mother, he’s worked hard to save enough money to leave his home in Austin, Minnesota, for the University of Minnesota. Although he has to leave his autistic younger brother, Jeremy Naylor, to the dubious care of their mother, Joe is determined to beat the odds and get his degree. For an assignment in his English class, he decides to interview Carl Iverson, a man convicted of raping and killing a 14-year-old girl. Carl, who maintains his innocence, is dying of cancer and has been released to a nursing home to end his life in lonely but unrepentant pain. The more Joe learns about Carl—a Vietnam vet with two Purple Hearts and a Silver Cross—the more the young man questions the conviction. Joe’s plan to write a short biography and earn an easy A turns into something more. Even after his mother is arrested for drunk driving and guilt-trips Joe into ransacking his college fund to bail her out, he soldiers on with the project, though her irresponsibility forces him to take Jeremy into his care. But it’s his younger brother who cracks the code of the long-dead murder victim’s secret diary and an attractive neighbor, Lila Nash, who has her own agenda for helping Joe solve the mystery, whatever the risk. 

Eskens’ debut is a solid and thoughtful tale of a young man used to taking on burdens beyond his years—none more dangerous than championing a bitter old man convicted of a horrific crime.

Pub Date: Oct. 14, 2014

ISBN: 978-1-61614-998-7

Page Count: 300

Publisher: Seventh Street Books

Review Posted Online: Oct. 8, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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