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DAY OF HONEY

A MEMOIR OF FOOD, LOVE, AND WAR

Though the author is occasionally overzealous in her attempts to wed the political and historical with the personal and...

A lucid memoir of life and travel in the war-torn Middle East, in which the author explores the journalistic adage that “to write the story, you have to eat the meal.”

Former Christian Science Monitor Baghdad correspondent Ciezadlo traces the six years she spent as an American in the Middle East. The story begins with the author following her Lebanese-born husband to Baghdad in 2003, where the two began new lives as war correspondents. Through immersion in food and cooking, Ciezadlo grounded herself amid widespread instability while gaining special insight into a people forced to endure years of bloody conflict. For ordinary Iraqis, creating meals from handed-down recipes that recalled “the memory of other places, other worlds” brought them a comfort and freedom they could not find elsewhere. At the same time, Ciezadlo also discovered how food allowed her to transcend the lingering homesickness that came from “trying to straddle two different places at once.” When the situation for foreign journalists in Baghdad became too dangerous, the author and her husband relocated to the relative calm of Beirut, a city that had been rocked by civil war for nearly 20 years. The couple eventually settled into happy domesticity; for a brief moment, among her husband’s relatives and the bounty of delicious food, the Ciezadlo felt satisfyingly rooted. However, they soon found themselves caught in yet another war as Israel began a military campaign against Hezbollah, which included the bombardment of Beirut. A re-emergence of old hostilities between Shiite and Sunni Muslims soon followed, causing more unrest. Saddened by “the aftertaste of hate,” Ciezadlo realized that while “the war would never end,” internecine conflicts did not diminish the fact that “[h]ome was wherever you broke bread with people you loved.”

Though the author is occasionally overzealous in her attempts to wed the political and historical with the personal and domestic, this ambitious and multilayered book is as much a feast for the mind as for the heart.

Pub Date: Feb. 15, 2011

ISBN: 978-1-4165-8393-6

Page Count: 400

Publisher: Free Press

Review Posted Online: Nov. 1, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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