Very Gallic, very rational, very true. But, still, of all Ernaux's writing: the most polemical and arid.
French writer Ernaux (Simple Passion, 1993, etc.) continues her thinly disguised fictional autobiography, this time recalling with numbing intensity her passage to a womanhood trapped by convention and domesticity.
The unnamed narrator reworks some old ground as she describes growing up in a bourgeois but unconventional family. Her parents operated a small convenience store, a "landscape" where there were no "mute, submissive women." Her father peeled potatoes, her mother kept the books, and both encouraged their daughter to excel at school. "Dust doesn't exist for her [mother], or rather it's something natural, not a problem," and her mother teaches the narrator that "the world is made to be pounced on...enjoyed...that there is absolutely no reason at all to hold back." But as the protagonist grows up, even though her parents spare her ``the idea that little girls are gentle and weak, and that they have different roles to play,'' she learns otherwise from her classmates. They boast of their mothers' domestic talents; then, as they grow older, it's fashion and boys. By high school, though tempted by their thinking, the narrator continues to aim for higher education and a career. In her final year of college, her resistance weakens when she falls in love and marries. Soon, she feels trapped by domesticity, and when pregnancy interrupts her finals she's desperate; even the furniture is an "insidious entrapment" demanding to be cared for. She completes her degree, starts teaching, then finds, like all women, that she has two jobs: Men are free after work; the supermarket is her reward "for going out." Finally, another pregnancy and unending housework lead to her admission that "pursuing a career" is best left to men. She teaches part-time, her husband is successful, she wears expensive clothes, but she's a "frozen woman."
Very Gallic, very rational, very true. But, still, of all Ernaux's writing: the most polemical and arid.Pub Date: May 14, 1995
ISBN: 1-56858-029-0
Page Count: 160
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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