Eloquent contributions to the literature on a deeply contested issue.
A powerful collection of poems, fiction, and essays on the reality of abortion.
“Every abortion is a story,” writes Caitlin McDonnell in her moving essay, “The Abortion I Didn’t Want,” one of nearly 150 pieces by a diversity of women (and a few men) that address what Katha Pollitt calls the “bloody realism and emotional and social complexity” of ending a pregnancy. Finch (Measure for Measure: An Anthology of Poetic Meters, 2015, etc.) has drawn together writers across time (from the 16th century to the present), place, race, ethnicity, gender, age, and culture who offer stark, often wrenching revelations. She organizes the book into five sections: “Mind,” focusing on making the decision to abort; “Body,” on the physical experience; “Heart,” on the depth of emotions; “Will,” on the relationship of abortion to personal and political power; and “Spirit,” on the connection of abortion to a woman’s spiritual framework. For many contributors, the experience of abortion reverberated forever after. Writes Desiree Cooper, “we were pregnant with memory for the rest of our lives.” Among the more well-known contributors are Margaret Atwood, Ursula K. Le Guin, Amy Tan, Audre Lorde, Leslie Marmon Silko, Joyce Carol Oates, Anne Sexton, and Gloria Steinem, who admits feeling no regret about her decision. Having an abortion, she writes, “was the first time I had taken responsibility for my own life.” The empowerment she felt, however, was not shared by many others, who faced contempt, blame, and shame. Argentine writer Mariana Enriquez portrays the anguish and fear of teenage girls who live “in a country where abortion is illegal” and where they take place in “ghost houses, anonymous houses.” Novelist Soniah Kamal gathers stories from three Pakistani women who had abortions in 1990 in a country where premarital sex remains a crime punishable by five years in prison. Particularly heartbreaking pieces recount the decision to abort a severely malformed fetus—one, a baby with no brain, whose parents, wracked with grief, were forced to travel from Belfast, where abortion is a crime, to Liverpool.
Eloquent contributions to the literature on a deeply contested issue.Pub Date: April 7, 2020
ISBN: 978-1-64259-148-4
Page Count: 420
Publisher: Haymarket Books
Review Posted Online: Dec. 25, 2019
Kirkus Reviews Issue: Feb. 1, 2020
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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