Next book

RABBIT CAKE

How a whip-smart young girl handles the loss of her mother and the reorientation of her family; charming and beautifully...

A brilliant debut novel about a child grieving the loss of a mother.

Elvis, a 12-year-old girl named for the singer with whom she shares a birthday, lives in Freedom, Alabama, with her father, her sister, Lizzie, and a dog named Boomer. Her mother has recently died, drowned while swimming in her sleep, and Elvis is trying desperately to make sense of how and why. A sympathetic counselor at Elvis’ school tells her it takes 18 months to recover from such a loss. Elvis’ scientific mind finds comfort, then, in creating a grieving chart to track her progress; she crosses off each month as she makes it through while volunteering at the zoo and carrying on her mother's work writing a book about the sleep habits of animals. The remaining members of her family take different approaches: her father wears his late wife’s clothes and makeup around the house and has fallen in love with a parrot who can mimic her voice, and Lizzie, who has inherited the sleepwalking gene, is becoming increasingly dangerous in her sleep. After a series of terrifying incidents in her slumber—lacing her baking with enough gout medication to kill, breaking into all the neighboring chicken coops and eating dozens of raw eggs, attacking family members with knives, plucking all the feathers off her father’s beloved bird—Lizzie is sent to an institution for troubled girls. When she returns, she plans to break a world record by baking 1,000 rabbit cakes using the cake pan her mother used to bring out to celebrate every occasion. This is the moving and often funny story of a family trying to figure out what to do next now that their touchstone is gone. The narrator’s voice is a stunning combination of youthful and astute. In contemplating her grief, she thinks, “Maybe a spirit evaporates like vapor off the bag of frozen peas you steam in the microwave: the droplets go everywhere, settle wherever they land.”

How a whip-smart young girl handles the loss of her mother and the reorientation of her family; charming and beautifully written.

Pub Date: March 7, 2017

ISBN: 978-1-941040-56-0

Page Count: 344

Publisher: Tin House

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

Next book

THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 192


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

Next book

THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Awards & Accolades

Likes

  • Readers Vote
  • 192


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Close Quickview