Die-hard comics aficionados will appreciate getting tangled up in this diverting web.
Spider-Man soars thanks to an unconventional illustrator.
Steve Ditko (1927-2018) loved comics as a kid growing up during the Depression. Unsurprisingly, his passion became his profession. His unusual artistic style, featuring grotesque creatures, appealed to Stan Lee, head of Marvel Comics. Lee hired Steve, assigning him to illustrate a new comic, “Spiderman.” Like other Marvel figures, Spiderman was written as a muscular adult, but Steve thought differently. He envisioned this new character as strange, too, i.e., a lithe, slender personality who employed intellect, not brawn. Steve developed the idea of the human character—bookish teenage Peter Parker—being transformed by a radioactive spider bite and added a hyphen to his alter-ego name. Spider-Man became an overnight sensation; soon, Steve was both illustrating and writing the series—a first in comic-book history. Spider-Man’s popularity turned Steve into a star, but, more committed to art than celebrity, he shunned the spotlight. After four years and 38 issues, Steve left Marvel and Spider-Man behind, going on to create Doctor Strange, though never again achieving similar mainstream success. This is a succinct, tongue-in-cheek, slightly snarky examination of Ditko’s career and Spider-Man’s origins, but Spidey fans may be disappointed more isn’t made of his exploits. The muted mixed-media illustrations are dynamic, but some pages look busy and cluttered; they aren’t formatted in comic-book style, though typically onomatopoeic words (“WA-WHOP!”) are sprinkled throughout. (This book was reviewed digitally.)
Die-hard comics aficionados will appreciate getting tangled up in this diverting web. (author’s note, bibliography) (Informational picture book. 7-10)Pub Date: Aug. 1, 2023
ISBN: 9781645677109
Page Count: 32
Publisher: Page Street
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Quick and slick, but ably makes its case.
The distinguished jurist stands tall as a role model.
Not literally tall, of course—not only was she actually tiny but, as with all the other bobbleheaded caricatures in the “Ordinary People Change the World” series, Ginsburg, sporting huge eyeglasses on an outsize head over black judicial robes even in childhood, remains a doll-like figure in all of Eliopoulos’ cartoon scenes. It’s in the frank acknowledgment of the sexism and antisemitism she resolutely overcame as she went from reading about “real female heroes” to becoming one—and also the clear statement of how she so brilliantly applied the principle of “tikkun olam” (“repairing the world”) in her career to the notion that women and men should have the same legal rights—that her stature comes clear. For all the brevity of his profile, Meltzer spares some attention for her private life, too (“This is Marty. He loved me, and he loved my brains. So I married him!”). Other judicial activists of the past and present, all identified and including the current crop of female Supreme Court justices, line up with a diversely hued and abled group of younger followers to pay tribute in final scenes. “Fight for the things you care about,” as a typically savvy final quote has it, “but do it in a way that will lead others to join you.”
Quick and slick, but ably makes its case. (timeline, photos, source list, further reading) (Picture-book biography. 7-9)Pub Date: Jan. 9, 2024
ISBN: 9780593533338
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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