A moving and well-crafted tale, written over the course of ten years, that successfully melds the fictional Lili with...
Wang’s first novel written in English: a compelling account of the emotional and political awakening of a tormented young Chinese woman who grew up during the Cultural Revolution.
When her parents, music teachers from Beijing, were sent to the countryside for “re-education,” 12-year-old Lili was ordered to spy on them, and was eventually raped by the Party Secretary. At the opening of this bracing first-person tale, time has passed and Lili is in prison for corrupt lifestyle and hooliganism. Released, she moves in with her parents, now back in Beijing, where they live a “domestic cold war.” Embittered and frustrated, Lili finds pleasure only in playing the erhu, the Chinese violin, until she meets Roy Goldstein, an American journalist with a passion for China and soon for Lili. His work takes him around the country, often accompanied by Lili, meeting peasants, artists, and monks—and giving the author an opportunity to depict life in late-1980s China, something she does with skill and sensitivity. Roy is an endearing character, gentle and sweet, constantly challenging the status quo yet at times hopelessly naïve (e.g., when his well-meaning attempt to adopt an abandoned baby girl ends in tragedy). But the strength of this insightful story lies in the transformation of Lili; respected and loved for the first time in her bleak and marginal life, she begins to feel Roy’s hope. And during the occupation of Tiananmen Square, she’s drawn to the students’ conviction; she can’t stay away. At the close, Roy has been deported, and Lili and her father are witnessing the massacre together.
A moving and well-crafted tale, written over the course of ten years, that successfully melds the fictional Lili with China’s recent history. Not an easy task.Pub Date: June 5, 2001
ISBN: 0-375-42085-1
Page Count: 320
Publisher: Pantheon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2001
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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