An important, gripping story about facing change with curiosity, fear, love and, ultimately, acceptance.
In Weissman’s poignant first novel, three adult sisters and their ailing mother struggle to reconcile their often divergent points of view.
The oldest Hoffman sister, Barbara, tries to re-establish her identity now that her children are grown and out of the house, while the middle sister, Rhonda, a single mother, raises two teenage boys—one of whom is headed down a potentially dangerous path. The youngest sibling, Ellen, lives her life as a single research scientist at the University of Iowa. In the book’s prologue, their 80-year-old mother, Rae, attempts to complete the basic tasks of getting out of the house and driving. Readers later learn that Rae suffers from “constricted capillary disease,” which causes her to experience dementia. When she gets into a car accident, she and her daughters are finally forced to confront her declining health and failing memory. Weissman subtly portrays how Rae’s deterioration affects all the sisters—in their individual lives and in their relationship to one another. When Rhonda takes Rae to live with her in Arizona, it raises the emotional stakes; Barbara and Ellen are concerned that Rhonda will take advantage of their mother financially, and Rhonda, in turn, is annoyed by her sisters’ mistrust as she becomes their mother’s primary caretaker. As Rae’s health declines, the three sisters keep circling one another in their efforts to communicate. At one point, Rae thinks, “The girls are angry with each other. I wonder why this time. I hoped they would get closer when they grew up, but it didn’t happen.” Toward the end of the novel, Rhonda wonders “whether our bond is strong enough to endure the loss of Mom, the glue.” Throughout, the sisters evolve as they find love, relocate and take care of their own families. Weissman’s direct, unsentimental prose provides each woman with a compelling, authentic perspective. She also deftly captures the mixture of denial and grief that parents and children feel when their roles are reversed.
An important, gripping story about facing change with curiosity, fear, love and, ultimately, acceptance.Pub Date: April 10, 2013
ISBN: 978-1482543148
Page Count: 376
Publisher: CreateSpace
Review Posted Online: June 13, 2013
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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