An important, gripping story about facing change with curiosity, fear, love and, ultimately, acceptance.
In Weissman’s poignant first novel, three adult sisters and their ailing mother struggle to reconcile their often divergent points of view.
The oldest Hoffman sister, Barbara, tries to re-establish her identity now that her children are grown and out of the house, while the middle sister, Rhonda, a single mother, raises two teenage boys—one of whom is headed down a potentially dangerous path. The youngest sibling, Ellen, lives her life as a single research scientist at the University of Iowa. In the book’s prologue, their 80-year-old mother, Rae, attempts to complete the basic tasks of getting out of the house and driving. Readers later learn that Rae suffers from “constricted capillary disease,” which causes her to experience dementia. When she gets into a car accident, she and her daughters are finally forced to confront her declining health and failing memory. Weissman subtly portrays how Rae’s deterioration affects all the sisters—in their individual lives and in their relationship to one another. When Rhonda takes Rae to live with her in Arizona, it raises the emotional stakes; Barbara and Ellen are concerned that Rhonda will take advantage of their mother financially, and Rhonda, in turn, is annoyed by her sisters’ mistrust as she becomes their mother’s primary caretaker. As Rae’s health declines, the three sisters keep circling one another in their efforts to communicate. At one point, Rae thinks, “The girls are angry with each other. I wonder why this time. I hoped they would get closer when they grew up, but it didn’t happen.” Toward the end of the novel, Rhonda wonders “whether our bond is strong enough to endure the loss of Mom, the glue.” Throughout, the sisters evolve as they find love, relocate and take care of their own families. Weissman’s direct, unsentimental prose provides each woman with a compelling, authentic perspective. She also deftly captures the mixture of denial and grief that parents and children feel when their roles are reversed.
An important, gripping story about facing change with curiosity, fear, love and, ultimately, acceptance.Pub Date: April 10, 2013
ISBN: 978-1482543148
Page Count: 376
Publisher: CreateSpace
Review Posted Online: June 13, 2013
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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